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Home accessories are furniture items which are easy to replace and easy to move, and include almost any items that aren’t strictly functionally necessary in the decorated space. These accessories include such items as curtains, sofa sets, cushions, tablecloths and decorative craft products, decorative wrought iron, and so on. These items are commonly used in indoor furnishings and layout and can include cloth items, paintings, and plants. Home accessories, as movable decorations, reflect the owner’s taste and create a personal atmosphere where they are placed. These items can break the boundaries of traditional decoration industry, using handicrafts, textiles, collectibles, and things such as lamps, floral items, and plants re-combined to form a new concept. Home accessories vary according to size and shape of room space, the owner’s living habits, hobbies, tastes, and their economic situation. They are very important items in interior design. Interior design is the process of shaping the experience of interior space, through the manipulation of spatial volume as well as surface treatment for the betterment of human functionality. (wikipedia.org)

  • New
    Beautiful Art Deco mantel clock in wood case
    Beautiful Art Deco mantel clock in wood case

    Beautiful Art Deco mantel clock in wood case

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    Beautiful Art Deco mantel clock made in the late 1930s or early 1940s. It features a very elegant cylindrical wood case placed on a exquisite wood base. The golden dial, with Art Deco numbers is impressive in it's rigor and minimalism. The clock is in very good condition with only small age-related traces. The movement mechanism uses a pendulum. The clock chimes mark every hour (with a number of strikes/bells that equals the hour) and half hour (with just one strike/bell).
    150 
  • Mid-Century coat stand with two hangers, 1970s

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    Elegant Mid-Century coat stand made of metal. The coat stand is made in the 1970s, in France. It comes with two hangers made also of metal and features clean, geometric forms. The item is kept in very good vintage condition.
    200 
  • Sale
    Norwegian Modern coffee table
    Norwegian Modern coffee table

    A beautiful Norwegian table, a Murano fruit bowl and a tulip-spahed crystal candlestick

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    Coffee table made in Norway, late 60s. The counter-top is made of teak; the legs are made of stainless steel with hard plastic clogs. The counter-top edges are cut inwards giving this piece a light non-intrusive look. The legs are not plain, but made of three thin rods. The minimalist shape, the dialogue between wood and stainless steel, the curved edges, the line of the counter-top, all of this make this table a leading exponent of Scandinavian Modern style. The piece is in very good condition. Imposing emerald fruit bowl made in Murano in the 1970s. This tall, massive, beautifully colored piece is in very good vintage condition, showing no visible defects. During World War II the industry did not thrive, but as soon as the war was over the glass masters of Murano returned to their art and created pieces deeply rooted in interior design trends of that time with focus on minimalism, functionality, and simplicity. To support these trends Murano artists and artisans returned to techniques of the past such as filigree, murrino, and lattimo. From that point onwards Murano saw continued exploration of styles and techniques striving to find a happy medium between the technical mastery and the outline, color, and decoration. The resulting continuous innovation led to a rise in popularity and to multiple prizes at various international art exhibitions. Thanks to such prominent artists as Archimede Seguso, Ludovico and Laura De Santillana, Tobia Scarpa, Ercole Barovier, Fulvio Bianconi, Toni Zuccheri, Romano Chrivi, Giampaolo Martinuzzi, and Alfredo Barbini, Murano again became known as the glassblowing capital of the world. Murano now created the art trends as opposed to following them in the years past. Tulip-spahed crystal candlestick made in Sweden in the 1950s (or early 1960s).
    615  550 
  • Sale

    Two Gemla chairs, a beautiful coffee table and a Danish handkerchief vase

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    Pair of Swedish Gemla Mobler chairs. The structure and the armrests – made of curved wood – give a natural, organic and pleasant shape. This is completed in a beautiful way by the wool upholstery, in a shade of green that is specific for the Mid-Century furniture. This chairs can fit any nice interior, having the ability to create a warm atmosphere in the room. The chairs are in very good shape with only few age-related traces. At Helge River in Diö, in the heart of the old forests of Småland, lies Sweden’s oldest furniture factory (founded in 1861). Its inner sanctum, beech and ash are tamed into time- less furniture by skilled craftsmen who know which way the wood likes to bend. Stretching and flexing, easing and teasing, until the steaming hot wood finds its form. And the wood will not be rushed. The transformation from log into chair takes days, sometimes even weeks. The technique has been used by boat and fence builders since ancient times but was refined in the mid 1800’s by Thonet into the iconic chair, worn my millions of seats in the cafés of Europe. The shape is determined by the best and the brightest of their time. Back then their names were Peter Celsing, Yngve Ekström, Sigurd Lewerentz and Carl Malmsten. Now they are Jonas Bohlin, Front, Lisa Hilland and Mats Theselius.
    Small round coffee table manufactured in Germany in the 1970s. The table has a minimalist, elegant and sober design, representative for the German Modernism. The piece is in very good vintage condition. Blue handkerchief vase made in Denmark in the 1980s.  
    470  400 
  • Set of 3 candlesticks by Fritz Nagel & Ceasar Stoffi for BMF
    Set of 3 candlesticks by Fritz Nagel & Ceasar Stoffi for BMF

    Set of 3 candlesticks by Fritz Nagel & Ceasar Stoffi for BMF

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    Set of 3 candlesticks (model S 22) made of chrome plated steel and produced by BMF (Bayerische Metall Fabrik). This stackable candelsticks were designed by Fritz Nagel and Ceasar Stoffi in the 1960 and are considered icons of the Space Age / Atomic Age design. The Model 22 was in production from 1965 to 1970. The pieces are in very good condition, with no deterioration and only little traces of use.
    120 
  • Vintage Atomic Age coat rack
    Vintage Atomic Age coat rack

    Vintage Atomic Age coat rack

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    Colorful Atomic Age wall coat rack made of metal and colored hard plastic. The piece is produced in France, probably in the 1980s and features clean, geometric forms and a joyful look. The item is kept in very good vintage condition.
    75 
  • Set of two opaline cups made in Belgium, in the 1970s

    Set of two opaline cups made in Belgium, in the 1970s

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    Set of two beautiful ice cream (or sherbet) cups made of glass and opaline and produced in Belgium, in the 1970s. Colored in bright vivid orange, this cups features the Atomic Age aesthetics. The cups are in very good vintage shape. Atomic Age in design refers to the period roughly corresponding to 1940–1960 and extending in the 1970s, when concerns about nuclear war dominated Western society during the Cold War. The discovery and development of the Electron microscope had also a huge impact. Architecture, industrial design, commercial design (including advertising), interior design, and fine arts were all influenced by the themes of atomic science, as well as the Space Age, which coincided with that period. Atomic Age design became popular and instantly recognizable, with a use of atomic motifs and space age symbols. Retrofuturism is a current resurgence of interest in Atomic Age design. Free-form organic shapes also appear as a recurring theme in Atomic Age design, reflecting x-ray technology that was becoming more widespread and familiar in pop culture. These botanic designs influenced later Atomic Age patterns that included repeating organic shapes similar to cells and organisms viewed through a microscope. Vital forms, or abstract organic forms, were identified as a core motif.
    60 
  • Philips INFRAPHIL KL7500 light made in the 1960s
    Philips INFRAPHIL KL7500 light made in the 1960s

    Philips INFRAPHIL KL7500 light made in the 1960s

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    Philips INFRAPHIL KL7500 light made in the 1960s in the Netherlands. This model is designed by the french architect and designer Charlotte Perriand Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. The item is in full working order and in great vintage condition. This Infraphil KL7500 represents the basic design for the 1960's an 1970's. Made from cast aluminium it weighs more than one kilo and a half. For the first time pressed glass with an integrated Fresnel lens is applied. The lamp is fixed with a clamping ring that fits in a groove in the front of the armature. The trademark Philips is integrated in the grip, a foil with the Philips logo is adhered on top of armature. There is no further type indication on the armature. Royal Philips Electronics registered the brand name Infraphil in September 1945. Infraphil is a clipping from INFRAred and PHILips. From 1946 on Philips released several dozens of infrared light bulbs for soothing warming appliances worldwide.   You can read the user manual HERE.
    50 
  • Face Standard rotary phone made in Italy
    Face Standard rotary phone made in Italy

    Face Standard rotary phone made in Italy

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    Face Standard rotary phone in full working condition. The phone dates from the 1970s, was produced in Italy and is kept in good condition.
    35 
  • Brown leather travel (duffle) bag
    Brown leather travel (duffle) bag

    Brown leather travel (duffle) bag

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    Beautiful vintage brown leather travel bag (duffle bag) made in Germany. The handbag is made of fine leather and the item is in very good condition, showing no visible defects.
    150 
  • Round wall mirror, Denmark, 1970s
    Round wall mirror, Denmark, 1970s

    Round wall mirror, Denmark, 1970s

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    Beautiful round wall mirror made in the 1970s in Denmark. It features a joyful red plastic frame and a leather strap. The piece is kept in good vintage condition and has its original "Made in Denmark" on the back.
    100 
  • Very rare Siemens hair dryer made in the 1930s
    Very rare Siemens hair dryer made in the 1930s

    Very rare Siemens hair dryer made in the 1930s

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    Chrome hair dryer in Bauhaus style of the former Siemens Schuckert Werke who took over the Protos company in 1908. The hair dryer has a hot and a cold setting and different fan levels which can be selected with the bakelite switch. The machine is in full working order. Marked on the handle: EDU III - hand imprinted number 045 - triangle VDE - 220 V - 540 W.
    175 
  • Bayard ceramic wall clock made in France

    Bayard wall clock made in France

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    Beautiful Bayard wall clock made in France in the 1950s. It features a laminated wood green case (Formica/Laminex) and an Art Deco dial. This clock can give a sophisticated touch to any room. This is a mechanical clock and has to be manually winded once a week to operate. It is in very good condition with only small age-related traces.  
    50 
  • Sale
    Allibert oval wall mirror, France, 1970s

    Allibert oval wall mirror, France, 1970s

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    Allibert rotating/adjustable mirror with a cream plastic frame, made in the 1970s in France. The mirror has its own lights (4 sockets; light radiates from behind the mirror) and an outlet that can be used for a hair dryer or other electrical appliances. The item was designed for the bathroom but it looks equally as stylish in the living room or hallway. It can also be used for low level lighting within the room. The piece is kept in good vintage condition.
    175  140 
  • Space Age electric fan made by Ventill

    Space Age electric fan made by Ventill

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    Ventill Electric Fan made of hard plastic/Bakelite, in Hungary, in 1978. The aerodynamic shape is specific for the design of the Space Age Era. The piece is in very good vintage condition and in full working order. The Space Age is a time period encompassing the activities related to the Space Race, space exploration, space technology, and the cultural developments influenced by these events. The Space Age is generally considered to have begun with Sputnik (1957). During the 1950s, architecture, furniture, interior design, cars, and gadget design took on a curiously spaceflight-inspired aesthetic.
    80 
  • Sale
    Allibert round wall mirror, France, 1970s
    Allibert round wall mirror, France, 1970s

    Allibert round wall mirror, France, 1970s

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    Allibert rotating/adjustable mirror with a cream plastic frame, made in the 1970s in Belgium. The mirror has its own lights (4 sockets; light radiates from behind the mirror) and an outlet that can be used for a hair dryer or other electrical appliances. The item was designed for the bathroom but it looks equally as stylish in the living room or hallway. It can also be used for low level lighting within the room. The piece is kept in good vintage condition.
    175  140 
  • Sale
    Lot of 2 table clocks (Junghans, Jerger) made in Germany
    Lot of 2 table clocks (Junghans, Jerger) made in Germany

    Lot of 2 table clocks (Junghans, Jerger) made in Germany

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    Lot of 2 table clocks (Junhans, Jerger) made in Germany in the 1960s. Both clocks features the International Style lines and shapes and are characterized by a clean, functional, minimalist design. Both are in full working order. Each of them need to be manually winded once a day to operate. Jerger: The company was founded by the clockmaker Wilhelm Jerger (1845–1921) in 1866 and was active for 34 years before merging with the Uhrenfabrik Villingen. Jerger Clock's history is especially interesting today because around 1900 there was a dispute in the German horolitas about which firm, Jerger or Junghans, had first made Amerikanerwerke (American type movements). Jerger proved the first, and the Grand Duke of Baden awarded Jerger the Zähringer Löwenorden (The Order of the Lion) for his services to Baden. Junhans: Junghans Uhren GmbH is a German watch and clock manufacturer. The company was founded in 1861 and is located in Schramberg, Baden-Württemberg. By 1903, Junghans had the largest watch and clock factory with over 3000 employees. Beginning in the 1950s, the Bauhaus designer Max Bill created clocks and watches for Junghans and the relationship lasted many years. A remarkable example of his work is a wall clock he designed in 1956/57 that is in the collection of The Museum of Modern Art (New York). In 1962 Bill also created mechanical wristwatches for Junghans – impressive timepieces, not only for their aesthetic design, but also their precision. In the late 1980s, Junghans introduced the first radio-controlled table clock on the world market. In 1990 the first radio-controlled wristwatch, called the MEGA 1, followed. In 1995 Junghans presented a solar powered watch with ceramic housing. Together with the Japanese clock maker Seiko, Junghans developed a globally oriented wristwatch that automatically sets the local time in respective time zones.
    60  50 
  • Signed Daum Nancy crystal ashtray from the 1960s
    Signed Daum Nancy crystal ashtray from the 1960s

    Signed Daum Nancy crystal ashtray from the 1960s

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    Spectacular crystal ashtray signed by Daum Nancy and made in France, in the 1960s. The translucent emerald color and the flower-shaped line give this piece a refined, elegant and discreet look. It’s signed on the bottom "Daun Nancy" – Cross of Lorraine – "France", in the typical manner of this famous manufacturer. Also retains the label of the first crystal shop that sold it: "Cristallerie Moser-Millot Paris 30 Bd. Des Italiens". Is in a very good condition, with minimal age related signs. Daum Nancy rose to prominence during the Art Nouveau and Art Deco period, and captured the imagination of collectors all over the world. Let us take a quick look at the interesting events that shaped the company. Jean Daum was a notary from Bitche who had lent some money to the proprietors of a glass factory in Nancy, the capital town of the French region of Lorraine. The glassworks was then named "Verrerie Sainte Catherine". In 1878, Daum took over the factory when its erstwhile owners were unable to pay off their debt and renamed it "Verrerie de Nancy". The factory initially produced glassware such as drinking glasses and pitchers and then ventured into artistic glass manufacturing in 1891. After Daum’s death in 1885, his son Auguste Daum took over the control of the company in the year 1890. The Daum brothers exhibited their "Handsome Tavern Glass" at the Paris International Exhibition in 1889. This event was of utmost significance because it marked the birth of the French Art Nouveau movement. Daum received his first "Grand Prix" in 1900 because by then his factory had established its name as a producer of high quality glass. By 1903, Daum had started making vitrified vases. These vases are singularly responsible for the kind of fame the company acquired in the early 1900s. In 1906 Daum began the manufacture of pâte-de-verre, a glass-making technique first used over five thousand years ago in the early world. In order to understand the collector’s interest in Daum Nancy objects, one must realize that this company has shaped itself up to become a producer of glass art objects and not simple glassworks. It pioneered and revolutionized old techniques by working with colour powders, acids, enamel and fluorine hydrogen. From the early 1900s emphasis was placed upon ornamental motifs in naturalistic forms. When Galle died in 1904, the Daum brothers became the leaders in the field of decorative glass and their dominance lasted for one productive, golden decade. Source: artnewsnviews.com
    150 
  • Smoky Selandia dish by Per Lütken
    Smoky Selandia dish by Per Lütken

    Smoky Selandia dish by Per Lütken

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    Selandia was designed by Per Lütken in the spring of 1957. The dish was fashioned by hand, and its shape is created when the glass blower carefully turns, raises and lowers the hot glass. The visual softness contained in the glass at 1400 degrees Celsius can be seen directly in the cooled, transparent version of the dish. The dish is decorated by engraving/glass cutting. Identified and dated on the bottom, “Holmegaard 19PL59” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year).
    300 
  • Sale
    Raadvad slicer model 294 made in Denmark in the 1960s
    Raadvad slicer model 294 made in Denmark in the 1960s

    Raadvad slicer model 294 made in Denmark in the 1960s

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    Original Danish bread slicer made by Raadvad in the 1960s. The slicer is made of cast iron and solid wood. The screw in front can be used to regulate the thickness of the slices. It is in very good vintage condition. Raadvad is a reputable Danish company established in 1759 well known for their high end quality kitchen equipment. They started making bread slicers in 1924. They designed a new model in 1939 (model 294) which almost didn't change afterwards. The company still exists. One of the legs was restored/glued (see pictures), but is very strong (the resistance has not been affected).
    100  75 
  • “Teardrop” Murano sommerso vase from the 1960s

    “Teardrop” Murano sommerso vase from the 1960s

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    Spectacular Murano sommerso vase for one flower (soliflore) in shades of red (the interior layer), yellow (the median layer) and blue (the outer layer). Because of its shape, this type of vase is also known as "Teardrop". The piece is made in the 1960s and is kept in very good condition, showing no visible deterioration. It has its original label. When thinking of Murano glass, it is highly unlikely that we think of sand, yet this rare material is at the base of all glass production. Glass is firstly a mix of siliceous sand, soda, lime and potassium, which is put to melt inside an oven at a temperature of around 1.500 Celsius. After it has become flexible enough, it is removed with a pipe that will be used to blow the glass out while the glassmaker shapes and models it. The forms and colors given to each piece depend on the tools and chemicals used during its production. The techniques are also important.. One of the most common techniques is “Sommerso”, which in Italian literally means “submerged”. This technique is used to create several layers of glass (usually with different contrasting colors) inside a single object, giving the illusion of “immersed” colors that lay on top of each other without mixing. This is done by uniting different layers of glass through heat and repeatedly immersing them in pots of molten colored glass. This technique is quite recognizable: it is characterized by an outer layer of colorless glass and thick layers of colored glass inside it, as if a big drop of color had been captured inside the transparent glass. When one first sees these objects, it seems almost impossible to conceive such beautiful colors being locked so perfectly inside what would seem solid glass, and then undoubtedly one begins to wonder how ever did they manage to achieve such a complex game of shapes and colors right in the middle of a clear glass object. Source: glassofvenice.com
    100 
  • Very rare and spectacular Luxor Swiss table clock
    Very rare and spectacular Luxor Swiss table clock

    Very rare and spectacular Luxor Swiss table clock

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    Spectacular and very rare Luxor Swiss table clock made in the 1940s. This golden clock is an exponent of Art Deco aesthetics: supple and elegant lines, geometric shape, some decorative elements (the twisted little bar at the top). This is a 8 days mechanical clock with alarm (it has to be manually winded once a week to operate). It is in very good condition with only small age-related traces. Luxor clocks are highly prized by collectors around the world, both for their mechanism and aspect.  
    150 
  • Murano sommerso vase in blue and yellow
    Murano sommerso vase in blue and yellow

    Murano sommerso vase in blue and yellow

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    Beautiful Murano sommerso vase in blue and yellow. The piece is made in the 1960s and is kept in very good condition, showing no visible deterioration. When thinking of Murano glass, it is highly unlikely that we think of sand, yet this rare material is at the base of all glass production. Glass is firstly a mix of siliceous sand, soda, lime and potassium, which is put to melt inside an oven at a temperature of around 1.500 Celsius. After it has become flexible enough, it is removed with a pipe that will be used to blow the glass out while the glassmaker shapes and models it. The forms and colors given to each piece depend on the tools and chemicals used during its production. The techniques are also important.. One of the most common techniques is “Sommerso”, which in Italian literally means “submerged”. This technique is used to create several layers of glass (usually with different contrasting colors) inside a single object, giving the illusion of “immersed” colors that lay on top of each other without mixing. This is done by uniting different layers of glass through heat and repeatedly immersing them in pots of molten colored glass. This technique is quite recognizable: it is characterized by an outer layer of colorless glass and thick layers of colored glass inside it, as if a big drop of color had been captured inside the transparent glass. When one first sees these objects, it seems almost impossible to conceive such beautiful colors being locked so perfectly inside what would seem solid glass, and then undoubtedly one begins to wonder how ever did they manage to achieve such a complex game of shapes and colors right in the middle of a clear glass object. Source: glassofvenice.com
    55 
  • Arkipelago candlestik, designed by Timo Sarpaneva for Iittala
    Arkipelago candlestik, designed by Timo Sarpaneva for Iittala

    Arkipelago candlestik, designed by Timo Sarpaneva for Iittala

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    The "Arkipelago" candlesticks, designed by Timo Sarpaneva for Iittala, were produced in different sizes and were created from the very beginning to be collected. Precisely to give them a high degree of preciousness, the glass is hand-molded. Timo Tapani Sarpaneva (31 October 1926 – 6 October 2006) was an influential Finnish designer, sculptor, and educator best known in the art world for innovative work in glass, which often merged attributes of display art objects with utilitarian designations. While glass remained his most commonly addressed medium, he worked with metal, wood, textiles, and porcelain (china). Sarpaneva has entered homes around the world through his industrial design of upscale, artistically conceived items, including cast-iron cookware and porcelain dinnerware. His work was among the key components that helped to launch Finland's reputation as a trailblazer of design. Sarpaneva's first international recognition in glass work came with a Grand Prix from the Milan Triennale in 1954 that included Sarpaneva's series Orkidea ("Orchid"), Kajakki ("Kayak"), and Lansetti ("Lancet") adopted for production by Iittala. Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware. Iittala's official i-logo was designed by Timo Sarpaneva in 1956. Iittala has strong design roots in glasswares and art glass which can be seen in, for example, the early designs of Aino Aalto glasses designed by Aino Aalto in 1932; Alvar Aalto’s Savoy Vase (Aalto Vase) from 1936; Oiva Toikka’s Birds by Toikka glass birds collection that has been made since 1962, his glassware set Kastehelmi from 1964 and Tapio Wirkkala’s glasses Ultima Thule from 1968. Iittala is the world's most famous glass company in the whole world. Over time, Iittala has expanded from glass to other materials, such as ceramics and metal while keeping with their key philosophy of progressive elegant and timeless design, such as Kaj Franck’s Teema ceramic tableware from 1952 and Timo Sarpaneva’s cast iron pot Sarpaneva from 1960. Iittala focuses on timeless design which can be seen not only in older creations but in the modern classics such as cookware Tools designed by Björn Dahlström in 1998 and Heikki Orvola’s Kivi candleholders from 1988. Source: wikipedia.org
    20 
  • Jupiter slicer made in Germany in the 1970s
    Jupiter slicer made in Germany in the 1970s

    Jupiter slicer made in Germany in the 1970s

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    Jupiter slicer made in Germany in the 1970s. The base is made of melamine-coated particleboard. The piece is in very good condition and can be a nice retro touch to any contemporary kitchen.
    55 
  • Sale
    Brown leather clutch handbag
    Brown leather clutch handbag

    Brown leather clutch handbag

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    Beautiful and elegant brown leather clutch handbag made in Germany, in the 1970s. The handbag is made of fine leather and the item is in very good condition, showing no visible defects.
    100  75 
  • Iittala fruit bowl made in the 1970s
    Iittala fruit bowl made in the 1970s

    Iittala fruit bowl made in the 1970s

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    Beautiful and elegant fruit bowl designed by Tapio Wirkkala and made by Iittala in the 1970s. Tapio Veli Ilmari Wirkkala (2 June 1915, Hanko – 19 May 1985) was a Finnish designer and sculptor, a major figure of post-war design. His work ranges from plastic ketchup bottles and metalware to glass, ceramics and plywood in a range of styles. He designed the Finnish markka banknotes introduced in 1955. His range was immense, designing glassware, stoneware, jewelry, and furniture for mass production, as well as individual sculptures in several media. Among his most famous works have been the design for the Finlandia vodka bottle (1970-2000) and for Iittala's Ultima Thule set of kitchen glasses. Both glassware items feature a dripping icicle look, and in the case of Iittala's popular glassware it is said to have taken thousands of hours to develop a glassblowing technique that would produce the effect. Wirkkala did much of his initial design work using a traditional Finnish carving knife, the puukko. Wirkkala designed his own version of the knife. The Tapio Wirkkala Puukko was built by Hackman Cutlery and marketed by Brookstone in the US in the early-1970s. Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware. Iittala's official i-logo was designed by Timo Sarpaneva in 1956. Iittala has strong design roots in glasswares and art glass which can be seen in, for example, the early designs of Aino Aalto glasses designed by Aino Aalto in 1932; Alvar Aalto’s Savoy Vase (Aalto Vase) from 1936; Oiva Toikka’s Birds by Toikka glass birds collection that has been made since 1962, his glassware set Kastehelmi from 1964 and Tapio Wirkkala’s glasses Ultima Thule from 1968. Iittala is the world's most famous glass company in the whole world. Over time, Iittala has expanded from glass to other materials, such as ceramics and metal while keeping with their key philosophy of progressive elegant and timeless design, such as Kaj Franck’s Teema ceramic tableware from 1952 and Timo Sarpaneva’s cast iron pot Sarpaneva from 1960. Iittala focuses on timeless design which can be seen not only in older creations but in the modern classics such as cookware Tools designed by Björn Dahlström in 1998 and Heikki Orvola’s Kivi candleholders from 1988. Source: wikipedia.org
    60 
  • Sale
    Three beautiful pairs of cufflinks made in Germany in the 1950s

    Three beautiful pairs of cufflinks made in Germany in the 1950s

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    Three beautiful pairs of cufflinks made in Germany in the 1950s.
    • Pair of cufflinks with white nacre and metallic stripes
    • Pair of cufflinks with white nacre
    • Pair of cufflinks with smoky nacre
    75  50 
  • Beautiful smoky ashtray by Per Lütken
    Beautiful smoky ashtray by Per Lütken

    Beautiful smoky ashtray by Per Lütken

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    Beautiful smoky ashtray designed by Per Lütken for Holmegaard (although it can also be used as a bowl for peanuts or candies). Signed, identified and dated on the bottom, “Holmegaard 19PL57” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year).
    55 
  • Ultima Thule bowl, designed by Tapio Wirkkala for Iittala
    Ultima Thule bowl, designed by Tapio Wirkkala for Iittala

    Ultima Thule bowl, designed by Tapio Wirkkala for Iittala

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    Inspired by the melting ice in Lapland, the Ultima Thule series is design legend Tapio Wirkkala’s most famous work. Wirkkala originally created the surface of Ultima Thule in the 1960s after carving into a graphic mold. Ultima Thule is an exclusive design which reflects the thousands of hours spent perfecting the glass-blowing technique required to produce the effect. Tapio Veli Ilmari Wirkkala (2 June 1915, Hanko – 19 May 1985) was a Finnish designer and sculptor, a major figure of post-war design. His work ranges from plastic ketchup bottles and metalware to glass, ceramics and plywood in a range of styles. He designed the Finnish markka banknotes introduced in 1955. His range was immense, designing glassware, stoneware, jewelry, and furniture for mass production, as well as individual sculptures in several media. Among his most famous works have been the design for the Finlandia vodka bottle (1970-2000) and for Iittala's Ultima Thule set of kitchen glasses. Both glassware items feature a dripping icicle look, and in the case of Iittala's popular glassware it is said to have taken thousands of hours to develop a glassblowing technique that would produce the effect. Wirkkala did much of his initial design work using a traditional Finnish carving knife, the puukko. Wirkkala designed his own version of the knife. The Tapio Wirkkala Puukko was built by Hackman Cutlery and marketed by Brookstone in the US in the early-1970s. Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware. Iittala's official i-logo was designed by Timo Sarpaneva in 1956. Iittala has strong design roots in glasswares and art glass which can be seen in, for example, the early designs of Aino Aalto glasses designed by Aino Aalto in 1932; Alvar Aalto’s Savoy Vase (Aalto Vase) from 1936; Oiva Toikka’s Birds by Toikka glass birds collection that has been made since 1962, his glassware set Kastehelmi from 1964 and Tapio Wirkkala’s glasses Ultima Thule from 1968. Iittala is the world's most famous glass company in the whole world. Over time, Iittala has expanded from glass to other materials, such as ceramics and metal while keeping with their key philosophy of progressive elegant and timeless design, such as Kaj Franck’s Teema ceramic tableware from 1952 and Timo Sarpaneva’s cast iron pot Sarpaneva from 1960. Iittala focuses on timeless design which can be seen not only in older creations but in the modern classics such as cookware Tools designed by Björn Dahlström in 1998 and Heikki Orvola’s Kivi candleholders from 1988. Source: wikipedia.org
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