Lot of 4 vintage table clocks made in Germany (Blessing, Mauthe, & Ruhla) and Czechoslovakia (Prim). All are in full working order. Each of them need to be manually winded once a day to operate.
Blessing: made in Germany in the 1950s, this mechanical alarm clock features Art Deco elements (hour marks, clock hands, clock base) and also the International Style aesthetics. Kept in very good vintage condition.
Mauthe: made in Germany in the 1940s, this is an Art Deco mechanical alarm clock. The case, in beige, is in sharp contrast to the black dial. At the top and in the lower area, the golden accents complete the sober and elegant image of this clock. Although is kept in a good overall condition, there are some very discrete scratches on the glass; also the phosphorus on the hour and minute hands of the clock have some minor defects.
Prim: made in Czechoslovakia in the 1970s, this is a metal case mechanical alarm clock. Kept in very good condition, this item is characterized by a minimalist, beautiful, modern look.
Ruhla: made in Germany in the 1970s, this mechanical alarm clock features a bright orange plastic case and a black dial with bold, prominent, hour marks. A beautiful and highly collectible table clock, featuring an Atomic/Space Era aesthetics.
10,5 x 28 x 5 (H x W x D for the wooden one), 14 x 24 x 8 cm
If your delivery address is not in the European Union, Iceland, Liechtenstein, Norway, or Switzerland, please be advised that import duty is not included in the prices you see online
A candlestick, chamberstick, or candelabrum (plural: candelabra) is a device used to hold a candle in place.
The name “candlestick” derives from the purpose of the device as a place to secure or “stick” a burning candle; candleholders have a cup or a spike (or both in some designs) to keep the candle in place. Webster’s II New College Dictionary defines a candlestick as “an often ornamental holder for securing a candle or candles.” Candlesticks are less frequently called “candleholders”, a word not found in most dictionaries prior to 1960.
Although electric lighting has phased out candles in many parts of the world, candlesticks and candelabra are still used in some Western countries homes as a decorative element or to add atmosphere on special occasions. Before the proliferation of electricity services, candles were brought into the bedroom using chambersticks, which were shorter than ordinary candleholders and furnished with a wide pan to catch the wax drippings.
In the context of candlesticks, a pricket is a sharp point onto which a candle is placed to keep it erect. On a regular candlestick, this may be a short point on the seat of the candle, but a “pricket candlestick” refers to a very large point (onto which the candle is placed) with a small base.
Candles and candlesticks are also used frequently in religious rituals and for spiritual means as both functional and symbolic lights. In Jewish homes, two candles are lit to mark the beginning of the Sabbath at sundown every Friday, hence, candlesticks are often on display. A seven-branched candelabrum known as the Menorah, is the national symbol of the State of Israel, based on the candelabrum that was used in the Temple in Jerusalem in ancient times. Another special candelabrum found in many Jewish homes is the Hanukiah, the Hanukkah menorah that holds eight candles, plus an extra one for lighting the others.
Tall candlesticks and altar lamps are often found in Christian churches as well, while a special set of two- and three-branched candelabra called the dikirion and trikirion is used by Eastern Catholic and Eastern Orthodox bishops to bless people at worship services.
Spectacular and very rare Luxor Swiss table clock made in the 1940s. This golden clock is an exponent of Art Deco aesthetics: supple and elegant lines, geometric shape, some decorative elements (the twisted little bar at the top). This is a 8 days mechanical clock with alarm (it has to be manually winded once a week to operate). It is in very good condition with only small age-related traces. Luxor clocks are highly prized by collectors around the world, both for their mechanism and aspect.
Tricolor Murano ashtray (or dish) in blue, red and green. This piece is remarkable in its fluid shapes, the zoomorphic look (seen from the top, it resembles the image of a cat’s head), the fine quality of the glass, and the dialogue between the three differently colored compartments. Hand blown, this piece is kept in very good vintage condition.
The quality and tradition that characterize Murano’s finest glass furnaces have always been worthy of the highest appreciation. This prestige is due mostly to the glass masters’ hard work and dedication, which are the very core of Murano’s most famous trade. Glassmaking has been passed on from one generation to the next one, with constant innovations and timeless originality. The loyalty and respect with which this trade is treated is possibly the key to Murano’s success. Glass masters all over the island have always worked with endless vitality, and this creative vein is evident in every glass artwork that comes out of any furnace, with improved techniques and bewildering effects.
Beautiful smoky ashtray designed by Per Lütken for Holmegaard (although it can also be used as a bowl for peanuts or candies). Signed, identified and dated on the bottom, “Holmegaard 19PL57” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year).
Beautiful and elegant fruit bowl designed by Tapio Wirkkala and made by Iittala in the 1970s.
Tapio Veli Ilmari Wirkkala (2 June 1915, Hanko – 19 May 1985) was a Finnish designer and sculptor, a major figure of post-war design. His work ranges from plastic ketchup bottles and metalware to glass, ceramics and plywood in a range of styles. He designed the Finnish markka banknotes introduced in 1955. His range was immense, designing glassware, stoneware, jewelry, and furniture for mass production, as well as individual sculptures in several media. Among his most famous works have been the design for the Finlandia vodka bottle (1970-2000) and for Iittala’s Ultima Thule set of kitchen glasses. Both glassware items feature a dripping icicle look, and in the case of Iittala’s popular glassware it is said to have taken thousands of hours to develop a glassblowing technique that would produce the effect. Wirkkala did much of his initial design work using a traditional Finnish carving knife, the puukko. Wirkkala designed his own version of the knife. The Tapio Wirkkala Puukko was built by Hackman Cutlery and marketed by Brookstone in the US in the early-1970s.
Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware. Iittala’s official i-logo was designed by Timo Sarpaneva in 1956. Iittala has strong design roots in glasswares and art glass which can be seen in, for example, the early designs of Aino Aalto glasses designed by Aino Aalto in 1932; Alvar Aalto’s Savoy Vase (Aalto Vase) from 1936; Oiva Toikka’s Birds by Toikka glass birds collection that has been made since 1962, his glassware set Kastehelmi from 1964 and Tapio Wirkkala’s glasses Ultima Thule from 1968. Iittala is the world’s most famous glass company in the whole world. Over time, Iittala has expanded from glass to other materials, such as ceramics and metal while keeping with their key philosophy of progressive elegant and timeless design, such as Kaj Franck’s Teema ceramic tableware from 1952 and Timo Sarpaneva’s cast iron pot Sarpaneva from 1960. Iittala focuses on timeless design which can be seen not only in older creations but in the modern classics such as cookware Tools designed by Björn Dahlström in 1998 and Heikki Orvola’s Kivi candleholders from 1988.