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Mid-Century Design

Mid-Century: Furniture, Lighting & Home Accessories


  • Very rare Siemens hair dryer made in the 1930s
    Very rare Siemens hair dryer made in the 1930s

    Very rare Siemens hair dryer made in the 1930s

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    Chrome hair dryer in Bauhaus style of the former Siemens Schuckert Werke who took over the Protos company in 1908. The hair dryer has a hot and a cold setting and different fan levels which can be selected with the bakelite switch. The machine is in full working order. Marked on the handle: EDU III - hand imprinted number 045 - triangle VDE - 220 V - 540 W.
  • Set of 4 "MR" armchairs by Ludwig Mies van der Rohe
    Set of 4 "MR" armchairs by Ludwig Mies van der Rohe

    Set of 4 “MR” armchairs by Ludwig Mies van der Rohe

    Set of 4 "MR" armchairs by Ludwig Mies van der Rohe. The armchairs are made of tubular steel and black natural leather and are preserved in a very good shape. The architect and designer Ludwig Mies van der Rohe is one of the best-known exponents of International Style modernism. His "less-is-more" philosophy has become a catchphrase for much twentieth-century design, though a preference for luxurious and costly materials often underscores the deceptive simplicity of his elegant and refined designs. Mies van der Rohe was the last director of the Bauhaus design school in Dessau, from 1930 until its closing in 1932. In 1938 he left Germany for America, where he headed the architecture department at the Illinois Institute of Technology. The graceful, elegant, and beautifully proportioned "MR" armchair, developed from a 1924 design for a cantilevered chair by Mart Stam, was introduced by Mies van der Rohe at the 1927 Stuttgart exhibition and has remained in production ever since. The chair’s cantilevered design uses tubular steel, then a technological novelty, to create an intuitively accessible and ergonomic seat. (When asked why he created chairs with generously sized seats, Mies van der Rohe allegedly replied that he designs chairs he’d be most comfortable sitting in.) The MR Armchair is perfectly balanced, featuring the material innovation and lack of ornamentation that epitomize the International Style. It was awarded the Museum of Modern Art Award in 1977 and the Design Center Stuttgart Award in 1978. In 1968 the Knoll group took the license to manufacture these chairs but both before 1968 and afterwards many factories have in fact produced these iconic pieces.
  • Spectacular coffee table made of marble and stainless steel

    Spectacular coffee table made of marble and stainless steel

    Spectacular coffee table made in Germany, in the 1970s. The top of the table - made of  Green Alps marble - has a quite impressive diameter (98 cm) and is in perfect shape. It's exquisite color (green with black swirls and veins) is placed in a remarkable dialogue with the coldness and the sobriety of the structure, made of well-polished stainless steel. The legs of the table, resembling the fins of a space-rocket, are consistent with Atomic/Space Age design shapes and lines This is special, stylish, well preserved piece of furniture that can accommodate any contemporary interior, be it minimalist, modern or industrial. The Space Age is a time period encompassing the activities related to the Space Race, space exploration, space technology, and the cultural developments influenced by these events. The Space Age is generally considered to have begun with Sputnik (1957). During the 1950s, architecture, furniture, interior design, cars, and gadget design took on a curiously spaceflight-inspired aesthetic.
  • Set of 4 Wiesner-Hager chairs, Austria, 1970s
    Set of 4 Wiesner Hager chairs, Austria, 1970s

    Set of 4 Wiesner-Hager chairs made in Austria in the 1970s

    Very well preserved set of 4 Wiesner Hager chairs made in Austria in the 1970s. Plywood with cherry wood veneer and a tubular steel cantileverd structure. They have the original fabric upholstery. The chairs have an ergonomic shape, featuring organic, curved lines, but an overall industrial design look, being that kind of furniture items that are as much about function as style. Wiesner-Hager was founded by Josef Wiesner as a carpentry business in 1849. In the year 1921 Rudolf Wiesner and Sebastian Hager took over their father’s business, which was at that time purely a carpentry and construction company. With the restructuring of part of the construction business into a furniture manufacture the two lay the cornerstone for a second branch of the business. Now, due to major changes in the working world and the enormous upheavals in the office and properties branch, the furniture offering has been expanded since the noughties to include the services of office consulting and interior design: Concept orientation has become a key success factor. With an export quota of 50% Wiesner-Hager is currently one of the most renowned companies in the furniture branch in Europe.




The 1950s were marked by optimism, by rebirth, by the desire for a better, snug life. It is then no wonder that today, in the rush of the 21st century, we openly, admiringly and nostalgically look back to the atmosphere of those days.



Our Fidelity Reward Points are here! Collect them and pay less
Our Fidelity Reward Points are here! Collect them and pay less
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Hurray! Our Fidelity Reward Program is here and is designed to fit one of the most important tasks we assume: ensuring that our customers enjoy an extraordinary experience when they choose to buy from us. FIDELITY POINTS is an extremely simple mechanism by which you can enjoy discounts on every…

Power plugs, outlets & lightbulb sockets. A short guide
Power plugs, outlets & lightbulb sockets. A short guide
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What is a Type F power plug? And an E27 Edison Screw? There are many types of power plugs, outlets & lightbulb sockets out there and depending on your country or electrical appliance, you will need one or another. For example, if you live in the United Kingdom and your…

Color of the Year 2017

Greenery Color of the Year 2017

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About Mid-Century

Mid-century modern is an architectural, interior, product and graphic design that describes mid-20th century developments in modern design, architecture and urban development from roughly 1933 to 1965. The term, employed as a style descriptor as early as the mid-1950s, was reaffirmed in 1983 by Cara Greenberg in the title of her book, Mid-Century Modern: Furniture of the 1950s (Random House), celebrating the style that is now recognized by scholars and museums worldwide as a significant design movement. The Mid-Century modern movement in the U.S. was an American reflection of the International and Bauhaus movements, including the works of Gropius, Florence Knoll, Le Corbusier and Ludwig Mies van der Rohe. Though the American component was slightly more organic in form and less formal than the International Style, it is more firmly related to it than any other. Brazilian and Scandinavian architects were very influential at this time, with a style characterized by clean simplicity and integration with nature. Like many of Wright’s designs, Mid-Century architecture was frequently employed in residential structures with the goal of bringing modernism into America’s post-war suburbs. This style emphasized creating structures with ample windows and open floor plans, with the intention of opening up interior spaces and bringing the outdoors in. Many Mid-century houses utilized then-groundbreaking post and beam architectural design that eliminated bulky support walls in favor of walls seemingly made of glass. Function was as important as form in Mid-Century designs, with an emphasis placed specifically on targeting the needs of the average American family. In Europe the influence of Le Corbusier and the CIAM resulted in an architectural orthodoxy manifest across most parts of post-war Europe that was ultimately challenged by the radical agendas of the architectural wings of the avant-garde Situationist International, COBRA, as well as Archigram in London. A critical but sympathetic reappraisal of the internationalist oeuvre, inspired by Scandinavian Moderns such as Alvar Aalto, Sigurd Lewerentz and Arne Jacobsen, and the late work of Le Corbusier himself, was reinterpreted by groups such as Team X, including structuralist architects such as Aldo van Eyck, Ralph Erskine, Denys Lasdun, Jorn Utzon and the movement known in the United Kingdom as New Brutalism. Pioneering builder and real estate developer Joseph Eichler was instrumental in bringing Mid-Century Modern architecture (“Eichler Homes”) to subdivisions in the Los Angeles area and the San Francisco Bay region of California, and select housing developments on the east coast. George Fred Keck, his brother Willam Keck, Henry P. Glass, Ludwig Mies van der Rohe, and Edward Humrich created Mid-Century Modern residences in the Chicago area. Mies van der Rohe’s Farnsworth House is extremely difficult to heat or cool, while Keck and Keck were pioneers in the incorporation of passive solar features in their houses to compensate for their large glass windows. (source:

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