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Atomic Age pendant ceiling lamp made in Germany, in the late 1960s or early 1970s. The lamp shade is made of glazed ceramic. The vivid colors (of earth and fire), the organic lines and the circular shape, all shows the influence of the Atomic/Space Age aesthetics. The cord is adjustable. Atomic Age in design refers to the period roughly corresponding to 1940–1960 and extending in the 1970s, when concerns about nuclear war dominated Western society during the Cold War. The discovery and development of the Electron microscope had also a huge impact. Architecture, industrial design, commercial design (including advertising), interior design, and fine arts were all influenced by the themes of atomic science, as well as the Space Age, which coincided with that period. Atomic Age design became popular and instantly recognizable, with a use of atomic motifs and space age symbols. Retrofuturism is a current resurgence of interest in Atomic Age design. Free-form organic shapes also appear as a recurring theme in Atomic Age design, reflecting x-ray technology that was becoming more widespread and familiar in pop culture. These botanic designs influenced later Atomic Age patterns that included repeating organic shapes similar to cells and organisms viewed through a microscope. Vital forms, or abstract organic forms, were identified as a core motif.

Elegant yet spectacular 9 lights radial chandelier made in Italy, in the late 1940s or early 1950s. This radial chandelier features 9 arms made of brass with shades made of glass and black metal fixtures. It is in its original condition and displays all the major characteristics of International Style / Mid-Century design, alongside with reminiscences of Stile Liberty and Art Deco. An exquisite piece, resembling a bouquet of tulips. The chandelier is kept in good condition. Italy's Stile Liberty took its name from the British department store Liberty, the colorful textiles of which were particularly popular in Italy. Notable Italian designers included Galileo Chini, whose ceramics were inspired both by majolica patterns and by Art Nouveau. He was later known as a painter and a scenic designer; he designed the sets for two Puccini operas Gianni Schicchi and Turnadot. The Teatro Massimo in Palermo, by the architect Ernesto Basile, is an example of the Italian variant of the style, architectural style, which combined Art Nouveau and classical elements. The most important figure in Italian Art Nouveau furniture design was Carlo Bugatti, the son of an architect and sculptor, and brother of the famous automobile designer. He studied at the Milanese Academy of Brera, and later the Académie des Beaux-Arts in Paris. His work was distinguished by its exoticism and eccentricity, included silverware, textiles, ceramics, and musical instruments, but he is best remembered for his innovative furniture designs, shown first in the 1888 Milan Fine Arts Fair. His furniture often featured a keyhole design, and had unusual coverings, including parchment and silk, and inlays of bone and ivory. It also sometimes had surprising organic shapes, copied after snails and cobras.