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  • Vintage architect table lamp by HCF
    Vintage Architect Lamp by HCF
    120 

    Vintage architect table lamp by HCF

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    Beautiful white and green Architect table lamp made by HCF in Denmark, in the 1970s. The lamp has all its original elements and is in great vintage condition. The lamp is marked on the bottom arm.
    120 
    120 
  • Sale
    Beautiful Val St Lambert crystal lamp
    Beautiful Val St Lambert crystal lamp
    300  250 

    Beautiful Val St Lambert crystal lamp

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    Spectacular table lamp signed Val Saint Lambert. This hand-made piece is made in the 1960s by the most prominent crystal manufacturer in Benelux, official supplier to H.M. the King of Belgium. Signed on the bottom, "Val St. Lambert". Still has the original label. The piece is in a very good condition. History of Val St. Lambert: In June 1826, smoke was rising from the chimney of the Cistercian abbey in Seraing, near Liège: the first furnace of the Val Saint Lambert Crystal Works had just been fired up. Val Saint Lambert would rapidly emerge as the epicentre of the Belgian crystal industry. For all the preconditions for a successful industry were met: the vicinity to the Meuse, a coal-rich region, a rail network, and even the enormous monastery facilities, which were ideally suited for artistic and craft activities on a large scale. The end of the 19th century ushered in a golden age for Val Saint Lambert. The site around the former abbey expanded into an impressive village with more than 180 worker dwellings, with small gardens, a school, a shop, and even a hospital. In the crystal works, by now world famous, some 5,000 employees produced 120,000 unique crystal creations each day. World War I brought an abrupt end to the expansion. Several key markets disappeared: the Balkans, the Russian tsars and Germany. The great depression of 1929 and the bombardment of World War II meant a further decline for the crystal works. This situation lasted up to the 1960s and 1970s, before two major innovations breathed new life into Val Saint Lambert: the introduction of the diamond disc for better cutting and engraving, and the replacement of the traditional pot furnace by a bath furnace, which melted solid raw materials into liquid glass. From the 1970s the company’s history is marked by several restructurings and takeovers. Today, the Val Saint Lambert Crystal Works are in the hands of the Onclin family, which aspires to reinstate the brand on a global level. Source: val-saint-lambert.com
    300  250 
    300  250 
  • Sale
    Spectacular coffee table made of marble and stainless steel
    1.500  600 

    Spectacular coffee table made of marble and stainless steel

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    Spectacular coffee table made in Germany, in the 1970s. The top of the table - made of  Green Alps marble - has a quite impressive diameter (98 cm) and is in perfect shape. It's exquisite color (green with black swirls and veins) is placed in a remarkable dialogue with the coldness and the sobriety of the structure, made of well-polished stainless steel. The legs of the table, resembling the fins of a space-rocket, are consistent with Atomic/Space Age design shapes and lines This is special, stylish, well preserved piece of furniture that can accommodate any contemporary interior, be it minimalist, modern or industrial. The Space Age is a time period encompassing the activities related to the Space Race, space exploration, space technology, and the cultural developments influenced by these events. The Space Age is generally considered to have begun with Sputnik (1957). During the 1950s, architecture, furniture, interior design, cars, and gadget design took on a curiously spaceflight-inspired aesthetic.
    1.500  600 
    1.500  600 
  • Sale
    Set of 4 Wiesner-Hager chairs, Austria, 1970s
    Set of 4 Wiesner Hager chairs, Austria, 1970s
    400  320 

    Set of 4 Wiesner-Hager chairs made in Austria in the 1970s

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    Very well preserved set of 4 Wiesner Hager chairs made in Austria in the 1970s. Plywood with cherry wood veneer and a tubular steel cantileverd structure. They have the original fabric upholstery. The chairs have an ergonomic shape, featuring organic, curved lines, but an overall industrial design look, being that kind of furniture items that are as much about function as style. Wiesner-Hager was founded by Josef Wiesner as a carpentry business in 1849. In the year 1921 Rudolf Wiesner and Sebastian Hager took over their father’s business, which was at that time purely a carpentry and construction company. With the restructuring of part of the construction business into a furniture manufacture the two lay the cornerstone for a second branch of the business. Now, due to major changes in the working world and the enormous upheavals in the office and properties branch, the furniture offering has been expanded since the noughties to include the services of office consulting and interior design: Concept orientation has become a key success factor. With an export quota of 50% Wiesner-Hager is currently one of the most renowned companies in the furniture branch in Europe.
    400  320 
    400  320 
  • Sale
    Very rare stoneware table lamp made by Joseph Simon for Soholm Stentoj
    Very rare stoneware table lamp made by Josef Simon for Soholm Stentoj
    250  150 

    Very rare stoneware table lamp handmade by Joseph Simon for Soholm Stentoj

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    Very rare stoneware table lamp designed and handmade by Josef Simon for Søholm Stentøj, Denmark, in the 1960s. The body, made of glazed ceramic, is remarkable due to its exquisite circular decoration in colors that speaks about earth, sand and sky. The lamp is signed on the bottom, "Simon", has the Søholm Stentøj mark, the production number and also a "handmade" stamp, not to mention that Søholm Stentøj is not a lights factory but a ceramic art studio that values ​​the design and quality. The lamp is in very good condition. An extremely rare and refined piece of Danish Modern design. Denmark has a rich tradition of producing Fine ceramics and original pottery dating back several hundred years and one of the greatest was Søholm. Søholm was founded in 1835 and is the oldest ceramic factory in Bornholm, a Danish island famous for its pottery and fine ceramics artisans. The pottery from the 1950s-1960s is often characterized by the sleek lines, streamlined design and innovative use of materials - just as the famous Danish Mid-Century Furniture. The factory closed in 1996.
    250  150 
    250  150 
  • Sale
    Round coffee table from the 1970s
    Round coffee table from the 1970s
    200  150 

    Round coffee table from the 1970s

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    Small round coffee table manufactured in Germany in the 1970s. The table has a minimalist, elegant and sober design, representative for the German Modernism. The piece is in very good vintage condition.
    200  150 
    200  150 
  • Sale
    Signed Daum Nancy crystal ashtray from the 1960s
    Signed Daum Nancy crystal ashtray from the 1960s
    150  120 

    Signed Daum Nancy crystal ashtray from the 1960s

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    Spectacular crystal ashtray signed by Daum Nancy and made in France, in the 1960s. The translucent emerald color and the flower-shaped line give this piece a refined, elegant and discreet look. It’s signed on the bottom "Daun Nancy" – Cross of Lorraine – "France", in the typical manner of this famous manufacturer. Also retains the label of the first crystal shop that sold it: "Cristallerie Moser-Millot Paris 30 Bd. Des Italiens". Is in a very good condition, with minimal age related signs. Daum Nancy rose to prominence during the Art Nouveau and Art Deco period, and captured the imagination of collectors all over the world. Let us take a quick look at the interesting events that shaped the company. Jean Daum was a notary from Bitche who had lent some money to the proprietors of a glass factory in Nancy, the capital town of the French region of Lorraine. The glassworks was then named "Verrerie Sainte Catherine". In 1878, Daum took over the factory when its erstwhile owners were unable to pay off their debt and renamed it "Verrerie de Nancy". The factory initially produced glassware such as drinking glasses and pitchers and then ventured into artistic glass manufacturing in 1891. After Daum’s death in 1885, his son Auguste Daum took over the control of the company in the year 1890. The Daum brothers exhibited their "Handsome Tavern Glass" at the Paris International Exhibition in 1889. This event was of utmost significance because it marked the birth of the French Art Nouveau movement. Daum received his first "Grand Prix" in 1900 because by then his factory had established its name as a producer of high quality glass. By 1903, Daum had started making vitrified vases. These vases are singularly responsible for the kind of fame the company acquired in the early 1900s. In 1906 Daum began the manufacture of pâte-de-verre, a glass-making technique first used over five thousand years ago in the early world. In order to understand the collector’s interest in Daum Nancy objects, one must realize that this company has shaped itself up to become a producer of glass art objects and not simple glassworks. It pioneered and revolutionized old techniques by working with colour powders, acids, enamel and fluorine hydrogen. From the early 1900s emphasis was placed upon ornamental motifs in naturalistic forms. When Galle died in 1904, the Daum brothers became the leaders in the field of decorative glass and their dominance lasted for one productive, golden decade. Source: artnewsnviews.com
    150  120 
    150  120 
  • Sale
    Smoky Selandia dish by Per Lütken
    Smoky Selandia dish by Per Lütken
    300  220 

    Smoky Selandia dish by Per Lütken

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    Selandia was designed by Per Lütken in the spring of 1957. The dish was fashioned by hand, and its shape is created when the glass blower carefully turns, raises and lowers the hot glass. The visual softness contained in the glass at 1400 degrees Celsius can be seen directly in the cooled, transparent version of the dish. The dish is decorated by engraving/glass cutting. Identified and dated on the bottom, “Holmegaard 19PL59” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year).
    300  220 
    300  220 
  • Coffee table made in Germany in the 1960s
    Coffee table made in Germany in the 1960s
    200 

    Coffee table made in Germany in the 1960s

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    Small coffee table manufactured in Germany in the 1960s. The table has a minimalist, elegant and sober design, representative for the German Modernism. The flared legs have brass clogs. The piece is in very good vintage condition and was recently restored.
    200 
    200 
  • Sale
    Norwegian Modern coffee table
    Norwegian Modern coffee table
    500  400 

    Norwegian Modern coffee table

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    Coffee table made in Norway, late 60s. The counter-top is made of veneered wood; the legs are made of stainless steel with hard plastic clogs. The counter-top edges are cut inwards giving this piece a light non-intrusive look. The legs are not plain, but made of three thin rods. The minimalist shape, the dialogue between wood and stainless steel, the curved edges, the line of the counter-top, all of this make this table a leading exponent of Scandinavian Modern style. The piece is in good vintage condition (see photos).
    500  400 
    500  400 
  • “Teardrop” Murano sommerso vase from the 1960s
    100 

    “Teardrop” Murano sommerso vase from the 1960s

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    Spectacular Murano sommerso vase for one flower (soliflore) in shades of red (the interior layer), yellow (the median layer) and blue (the outer layer). Because of its shape, this type of vase is also known as "Teardrop". The piece is made in the 1960s and is kept in very good condition, showing no visible deterioration. It has its original label. When thinking of Murano glass, it is highly unlikely that we think of sand, yet this rare material is at the base of all glass production. Glass is firstly a mix of siliceous sand, soda, lime and potassium, which is put to melt inside an oven at a temperature of around 1.500 Celsius. After it has become flexible enough, it is removed with a pipe that will be used to blow the glass out while the glassmaker shapes and models it. The forms and colors given to each piece depend on the tools and chemicals used during its production. The techniques are also important.. One of the most common techniques is “Sommerso”, which in Italian literally means “submerged”. This technique is used to create several layers of glass (usually with different contrasting colors) inside a single object, giving the illusion of “immersed” colors that lay on top of each other without mixing. This is done by uniting different layers of glass through heat and repeatedly immersing them in pots of molten colored glass. This technique is quite recognizable: it is characterized by an outer layer of colorless glass and thick layers of colored glass inside it, as if a big drop of color had been captured inside the transparent glass. When one first sees these objects, it seems almost impossible to conceive such beautiful colors being locked so perfectly inside what would seem solid glass, and then undoubtedly one begins to wonder how ever did they manage to achieve such a complex game of shapes and colors right in the middle of a clear glass object. Source: glassofvenice.com
    100 
    100 
  • Sale
    Very rare and spectacular Luxor Swiss table clock
    Very rare and spectacular Luxor Swiss table clock
    150  100 

    Very rare and spectacular Luxor Swiss table clock

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    Spectacular and very rare Luxor Swiss table clock made in the 1940s. This golden clock is an exponent of Art Deco aesthetics: supple and elegant lines, geometric shape, some decorative elements (the twisted little bar at the top). This is a 8 days mechanical clock with alarm (it has to be manually winded once a week to operate). It is in very good condition with only small age-related traces. Luxor clocks are highly prized by collectors around the world, both for their mechanism and aspect.  
    150  100 
    150  100 
  • Murano sommerso vase in blue and yellow
    Murano sommerso vase in blue and yellow
    55 

    Murano sommerso vase in blue and yellow

    ,
    Beautiful Murano sommerso vase in blue and yellow. The piece is made in the 1960s and is kept in very good condition, showing no visible deterioration. When thinking of Murano glass, it is highly unlikely that we think of sand, yet this rare material is at the base of all glass production. Glass is firstly a mix of siliceous sand, soda, lime and potassium, which is put to melt inside an oven at a temperature of around 1.500 Celsius. After it has become flexible enough, it is removed with a pipe that will be used to blow the glass out while the glassmaker shapes and models it. The forms and colors given to each piece depend on the tools and chemicals used during its production. The techniques are also important.. One of the most common techniques is “Sommerso”, which in Italian literally means “submerged”. This technique is used to create several layers of glass (usually with different contrasting colors) inside a single object, giving the illusion of “immersed” colors that lay on top of each other without mixing. This is done by uniting different layers of glass through heat and repeatedly immersing them in pots of molten colored glass. This technique is quite recognizable: it is characterized by an outer layer of colorless glass and thick layers of colored glass inside it, as if a big drop of color had been captured inside the transparent glass. When one first sees these objects, it seems almost impossible to conceive such beautiful colors being locked so perfectly inside what would seem solid glass, and then undoubtedly one begins to wonder how ever did they manage to achieve such a complex game of shapes and colors right in the middle of a clear glass object. Source: glassofvenice.com
    55 
    55 
  • Arkipelago candlestik, designed by Timo Sarpaneva for Iittala
    Arkipelago candlestik, designed by Timo Sarpaneva for Iittala
    20 

    Arkipelago candlestik, designed by Timo Sarpaneva for Iittala

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    The "Arkipelago" candlesticks, designed by Timo Sarpaneva for Iittala, were produced in different sizes and were created from the very beginning to be collected. Precisely to give them a high degree of preciousness, the glass is hand-molded. Timo Tapani Sarpaneva (31 October 1926 – 6 October 2006) was an influential Finnish designer, sculptor, and educator best known in the art world for innovative work in glass, which often merged attributes of display art objects with utilitarian designations. While glass remained his most commonly addressed medium, he worked with metal, wood, textiles, and porcelain (china). Sarpaneva has entered homes around the world through his industrial design of upscale, artistically conceived items, including cast-iron cookware and porcelain dinnerware. His work was among the key components that helped to launch Finland's reputation as a trailblazer of design. Sarpaneva's first international recognition in glass work came with a Grand Prix from the Milan Triennale in 1954 that included Sarpaneva's series Orkidea ("Orchid"), Kajakki ("Kayak"), and Lansetti ("Lancet") adopted for production by Iittala. Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware. Iittala's official i-logo was designed by Timo Sarpaneva in 1956. Iittala has strong design roots in glasswares and art glass which can be seen in, for example, the early designs of Aino Aalto glasses designed by Aino Aalto in 1932; Alvar Aalto’s Savoy Vase (Aalto Vase) from 1936; Oiva Toikka’s Birds by Toikka glass birds collection that has been made since 1962, his glassware set Kastehelmi from 1964 and Tapio Wirkkala’s glasses Ultima Thule from 1968. Iittala is the world's most famous glass company in the whole world. Over time, Iittala has expanded from glass to other materials, such as ceramics and metal while keeping with their key philosophy of progressive elegant and timeless design, such as Kaj Franck’s Teema ceramic tableware from 1952 and Timo Sarpaneva’s cast iron pot Sarpaneva from 1960. Iittala focuses on timeless design which can be seen not only in older creations but in the modern classics such as cookware Tools designed by Björn Dahlström in 1998 and Heikki Orvola’s Kivi candleholders from 1988. Source: wikipedia.org
    20 
    20 
  • Magnetic Ball wall lamp by Benny Frandsen
    Magnetic Ball wall lamp by Benny Frandsen
    50 

    Magnetic Ball wall lamp by Benny Frandsen

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    Famous magnetic Ball wall lamp designed by Benny Frandsen in the late 1960s, the lamp that led to the founding of the ABO Randers A/S company. It is in a very good shape, with only small age-related traces. This wall light enroll in both the Scandinavian Modern and Space Race aesthetics, being an icon of European design in the second half of the 20th century. Benny Frandsen (b. 1941, named after jazz-clarinetist Benny Goodman) is a Danish designer and lighting producer. He was educated as an electronics engineer but his passion was to design light. By 1966, he had already designed some lamps for a discotheque, and then Frandsen tried to convince his boss to start a lighting production, but no luck. Afterwards, Benny Frandsen established Frandsen Lamps in 1968, by himself, and was located in his home in Skanderborg in Jutland. He designed geometric lamps, but the business was slow. Frandsen discovered that, the Danes wanted round lamps and not geometric lamps, so he began designing a round light instead. Here emerges the ultimate round lamp, a ball that was attached to a wall bracket with a magnet. This was a game changer for Frandsen. Everybody wanted the Ball wall lamp with magnet. Since then, there has been made many variations of this Ball lamp. In 1972, Frandsen starts a factory in Skanderborg, to keep up with the many requests. But by 1993 the company is sold to the Frits Concern, whom merges the lighting production with Lyskilde. This led to Frandsen winning the role of the director, under the new company name, Frandsen Lyskilde. Eventually Benny Frandsen buys the company back in 1996, as the Frits Concern closes, and reestablishes Frandsen Lighting.  
    50 
    50 
  • Iittala fruit bowl made in the 1970s
    Iittala fruit bowl made in the 1970s
    60 

    Iittala fruit bowl made in the 1970s

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    Beautiful and elegant fruit bowl designed by Tapio Wirkkala and made by Iittala in the 1970s. Tapio Veli Ilmari Wirkkala (2 June 1915, Hanko – 19 May 1985) was a Finnish designer and sculptor, a major figure of post-war design. His work ranges from plastic ketchup bottles and metalware to glass, ceramics and plywood in a range of styles. He designed the Finnish markka banknotes introduced in 1955. His range was immense, designing glassware, stoneware, jewelry, and furniture for mass production, as well as individual sculptures in several media. Among his most famous works have been the design for the Finlandia vodka bottle (1970-2000) and for Iittala's Ultima Thule set of kitchen glasses. Both glassware items feature a dripping icicle look, and in the case of Iittala's popular glassware it is said to have taken thousands of hours to develop a glassblowing technique that would produce the effect. Wirkkala did much of his initial design work using a traditional Finnish carving knife, the puukko. Wirkkala designed his own version of the knife. The Tapio Wirkkala Puukko was built by Hackman Cutlery and marketed by Brookstone in the US in the early-1970s. Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware. Iittala's official i-logo was designed by Timo Sarpaneva in 1956. Iittala has strong design roots in glasswares and art glass which can be seen in, for example, the early designs of Aino Aalto glasses designed by Aino Aalto in 1932; Alvar Aalto’s Savoy Vase (Aalto Vase) from 1936; Oiva Toikka’s Birds by Toikka glass birds collection that has been made since 1962, his glassware set Kastehelmi from 1964 and Tapio Wirkkala’s glasses Ultima Thule from 1968. Iittala is the world's most famous glass company in the whole world. Over time, Iittala has expanded from glass to other materials, such as ceramics and metal while keeping with their key philosophy of progressive elegant and timeless design, such as Kaj Franck’s Teema ceramic tableware from 1952 and Timo Sarpaneva’s cast iron pot Sarpaneva from 1960. Iittala focuses on timeless design which can be seen not only in older creations but in the modern classics such as cookware Tools designed by Björn Dahlström in 1998 and Heikki Orvola’s Kivi candleholders from 1988. Source: wikipedia.org
    60 
    60 
  • Beautiful smoky ashtray by Per Lütken
    Beautiful smoky ashtray by Per Lütken
    55 

    Beautiful smoky ashtray by Per Lütken

    ,
    Beautiful smoky ashtray designed by Per Lütken for Holmegaard (although it can also be used as a bowl for peanuts or candies). Signed, identified and dated on the bottom, “Holmegaard 19PL57” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year).
    55 
    55 
  • Ultima Thule bowl, designed by Tapio Wirkkala for Iittala
    Ultima Thule bowl, designed by Tapio Wirkkala for Iittala
    30 

    Ultima Thule bowl, designed by Tapio Wirkkala for Iittala

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    Inspired by the melting ice in Lapland, the Ultima Thule series is design legend Tapio Wirkkala’s most famous work. Wirkkala originally created the surface of Ultima Thule in the 1960s after carving into a graphic mold. Ultima Thule is an exclusive design which reflects the thousands of hours spent perfecting the glass-blowing technique required to produce the effect. Tapio Veli Ilmari Wirkkala (2 June 1915, Hanko – 19 May 1985) was a Finnish designer and sculptor, a major figure of post-war design. His work ranges from plastic ketchup bottles and metalware to glass, ceramics and plywood in a range of styles. He designed the Finnish markka banknotes introduced in 1955. His range was immense, designing glassware, stoneware, jewelry, and furniture for mass production, as well as individual sculptures in several media. Among his most famous works have been the design for the Finlandia vodka bottle (1970-2000) and for Iittala's Ultima Thule set of kitchen glasses. Both glassware items feature a dripping icicle look, and in the case of Iittala's popular glassware it is said to have taken thousands of hours to develop a glassblowing technique that would produce the effect. Wirkkala did much of his initial design work using a traditional Finnish carving knife, the puukko. Wirkkala designed his own version of the knife. The Tapio Wirkkala Puukko was built by Hackman Cutlery and marketed by Brookstone in the US in the early-1970s. Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware. Iittala's official i-logo was designed by Timo Sarpaneva in 1956. Iittala has strong design roots in glasswares and art glass which can be seen in, for example, the early designs of Aino Aalto glasses designed by Aino Aalto in 1932; Alvar Aalto’s Savoy Vase (Aalto Vase) from 1936; Oiva Toikka’s Birds by Toikka glass birds collection that has been made since 1962, his glassware set Kastehelmi from 1964 and Tapio Wirkkala’s glasses Ultima Thule from 1968. Iittala is the world's most famous glass company in the whole world. Over time, Iittala has expanded from glass to other materials, such as ceramics and metal while keeping with their key philosophy of progressive elegant and timeless design, such as Kaj Franck’s Teema ceramic tableware from 1952 and Timo Sarpaneva’s cast iron pot Sarpaneva from 1960. Iittala focuses on timeless design which can be seen not only in older creations but in the modern classics such as cookware Tools designed by Björn Dahlström in 1998 and Heikki Orvola’s Kivi candleholders from 1988. Source: wikipedia.org
    30 
    30 
  • Green bullicante Murano ashtray
    Green bullicante Murano ashtray
    55 

    Green bullicante Murano ashtray

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    Beautiful controlled bubbles (bullicante) ashtray made of glass in Murano, Italy, in the 1960s. Hand blown, this pice features the shape of a flower in an amazing shade of translucent emerald green. The quality and tradition that characterize Murano’s finest glass furnaces have always been worthy of the highest appreciation. This prestige is due mostly to the glass masters’ hard work and dedication, which are the very core of Murano’s most famous trade. Glassmaking has been passed on from one generation to the next one, with constant innovations and timeless originality. The loyalty and respect with which this trade is treated is possibly the key to Murano’s success. Glass masters all over the island have always worked with endless vitality, and this creative vein is evident in every glass artwork that comes out of any furnace, with improved techniques and bewildering effects. The “bullicante” effect is amongst the most famous glass making techniques and it is seen quite often around the island of Murano. If you’ve had the fortune of strolling along the streets of Venice, you would have noticed beautiful glass pieces with small air bubbles trapped in the inside, possibly stopping to wonder how that seemingly impossible effect is achieved. This peculiar effect is obtained by placing a piece of molten glass inside a metallic mold with spikes, very much resembling a pineapple’s texture. These spikes cause small holes on the surface creating a pattern all around the glass piece. After it’s been left to cool down for a few moments, the whole piece is submerged in molten glass again. This second layer completely covers the first one. However, thanks to the thick consistency of glass, the holes previously impressed on the first layer are not covered, thus causing air to be trapped between both layers of glass. This process can be repeated several times, creating a pattern as complicated as the glass master wishes. This technique gives not only a sense of depth to the whole object, but also an incomparable decorative effect, famous for its originality. Source: glassofvenice.com
    55 
    55 
  • Sale
    Elegant ceramic table lamp made by Soholm Stentoj
    150  120 

    Elegant ceramic table lamp made by Soholm Stentoj

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    Beautiful ceramic table lamp designed by Einar Johansen and produced by Søholm Stentøj, Denmark, in the late 1960s. The body, pear-shaped, is remarkable due to the simplicity of line and earthy colors. Søholm Stentøj is not a lights factory but a ceramic art studio that values ​​the design and quality. The lamp is in very good condition. Einar Johansen was a Danish ceramicist, who trained as a painter at the Royal Danish Academy of Fine Arts in Copenhagen, but later changed his mind and became a pottery maker. He had his own pottery in the period 1935-1958. He was employed at Søholm in the period 1958-1968, and designed several, beautiful stoneware and pottery – among these, his famous blue glazed stoneware. He worked for Knabstrup (a Danish Pottery) in the early 1970s. Søholm Stentøj was founded in 1835 by Edvard Christian Sonne and Herman Sonne Wolffsen in Bornholm, Denmark. The factory closed in 1996.
    150  120 
    150  120 
  • Small purple Murano bowl made in the 1970s
    Small purple Murano bowl made in the 1970s
    30 

    Small purple Murano bowl made in the 1970s

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    Small purple Murano bowl made in the 1970s. Nicely colored in an exquisite purple shade, the bowl features a "half an apple" shape, which has been very popular in Murano since the second half of the 1950s. The bowl is in very good vintage condition. During World War II the industry did not thrive, but as soon as the war was over the glass masters of Murano returned to their art and created pieces deeply rooted in interior design trends of that time with focus on minimalism, functionality, and simplicity. To support these trends Murano artists and artisans returned to techniques of the past such as filigree, murrino, and lattimo. From that point onwards Murano saw continued exploration of styles and techniques striving to find a happy medium between the technical mastery and the outline, color, and decoration. The resulting continuous innovation led to a rise in popularity and to multiple prizes at various international art exhibitions. Thanks to such prominent artists as Archimede Seguso, Ludovico and Laura De Santillana, Tobia Scarpa, Ercole Barovier, Fulvio Bianconi, Toni Zuccheri, Romano Chrivi, Giampaolo Martinuzzi, and Alfredo Barbini, Murano again became known as the glassblowing capital of the world. Murano now created the art trends as opposed to following them in the years past. Source: glassofvenice.com
    30 
    30 
  • Kekkerit bowl, designed by Timo Sarpaneva for Iittala
    Kekkerit bowl, designed by Timo Sarpaneva for Iittala
    70 

    Kekkerit bowl, designed by Timo Sarpaneva for Iittala

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    Beautiful Kekkerit bowl designed by Timo Sarpaneva for Iittala. The stunning Kekkerit (which, incidentally, means party in Finnish) range, also referred to as Finlandia or Moukku, was designed in 1970. Crafted of fine crystal, this highly textured vase literally sparkles with an amazing ice like quality. This piece looks as if it has been carved from glacial ice. The impressive bark like texture, high quality crystal and stunning pattern make this superb piece a truly iconic timeless design. Timo Tapani Sarpaneva (31 October 1926 – 6 October 2006) was an influential Finnish designer, sculptor, and educator best known in the art world for innovative work in glass, which often merged attributes of display art objects with utilitarian designations. While glass remained his most commonly addressed medium, he worked with metal, wood, textiles, and porcelain (china). Sarpaneva has entered homes around the world through his industrial design of upscale, artistically conceived items, including cast-iron cookware and porcelain dinnerware. His work was among the key components that helped to launch Finland's reputation as a trailblazer of design. Sarpaneva's first international recognition in glass work came with a Grand Prix from the Milan Triennale in 1954 that included Sarpaneva's series Orkidea ("Orchid"), Kajakki ("Kayak"), and Lansetti ("Lancet") adopted for production by Iittala. Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware. Iittala's official i-logo was designed by Timo Sarpaneva in 1956. Iittala has strong design roots in glasswares and art glass which can be seen in, for example, the early designs of Aino Aalto glasses designed by Aino Aalto in 1932; Alvar Aalto’s Savoy Vase (Aalto Vase) from 1936; Oiva Toikka’s Birds by Toikka glass birds collection that has been made since 1962, his glassware set Kastehelmi from 1964 and Tapio Wirkkala’s glasses Ultima Thule from 1968. Iittala is the world's most famous glass company in the whole world. Over time, Iittala has expanded from glass to other materials, such as ceramics and metal while keeping with their key philosophy of progressive elegant and timeless design, such as Kaj Franck’s Teema ceramic tableware from 1952 and Timo Sarpaneva’s cast iron pot Sarpaneva from 1960. Iittala focuses on timeless design which can be seen not only in older creations but in the modern classics such as cookware Tools designed by Björn Dahlström in 1998 and Heikki Orvola’s Kivi candleholders from 1988. Source: wikipedia.org
    70 
    70 
  • Beautiful Næbvase (Duckling or Beak vase) by Per Lütken
    Beautiful Næbvase (Duckling or Beak vase) by Per Lütken
    100 

    Beautiful Næbvase (Duckling or Beak vase) by Per Lütken

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    Spectacular vase from the famous Næbvase (Duckling or Beak vase) series, signed by Per Lütken and produced at Holmegaard. A very exquisite piece, which was appreciated since the beginning for its supple, organic and soft shape. Signed, identified and dated on the bottom, “Holmegaard 19PL55” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year). The Næbvase (Duckling or Beak vase) series was in production between 1952 and 1974.
    100 
    100 
  • Tricolor Murano ashtray (or dish) in blue, red and green
    45 

    Tricolor Murano ashtray (or dish) in blue, red and green

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    Tricolor Murano ashtray (or dish) in blue, red and green. This piece is remarkable in its fluid shapes, the zoomorphic look (seen from the top, it resembles the image of a cat's head), the fine quality of the glass, and the dialogue between the three differently colored compartments. Hand blown, this piece is kept in very good vintage condition. The quality and tradition that characterize Murano’s finest glass furnaces have always been worthy of the highest appreciation. This prestige is due mostly to the glass masters’ hard work and dedication, which are the very core of Murano’s most famous trade. Glassmaking has been passed on from one generation to the next one, with constant innovations and timeless originality. The loyalty and respect with which this trade is treated is possibly the key to Murano’s success. Glass masters all over the island have always worked with endless vitality, and this creative vein is evident in every glass artwork that comes out of any furnace, with improved techniques and bewildering effects. Source: glassofvenice.com
    45 
    45 
  • Bubbles orchid vase by Per Lütken
    Bubbles orchid vase by Per Lütken
    30 

    Bubbles orchid vase by Per Lütken

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    Exquisite Bubbles orchid vase (soliflore, or one flower vase) designed by Per Lütken and made at Holmegaard in 1951. Resembling a flower bulb, the base is executed in the controlled bubbles technique. This slim, minimalist and elegant vase quickly became an icon of Danish Mid-Century glass design. The model was later reproduced by other factories in Scandinavia, especially by the Swedes from Kosta and from Åseda.
    30 
    30 
  • Sale
    Ceramic orange glazed table lamp made in Denmark
    Ceramic orange glazed table lamp made in Denmark
    125  100 

    Ceramic orange glazed table lamp made in Denmark

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    Beautiful ceramic table lamp made in Denmark in the 1960s. The base lamp, made of ceramic, is distinguished by the play between the vivid orange glazed top and the naked clay (without glaze)  brown bottom. Both the color and the technique are specific to the period. The piece is kept in a very good condition, without visible defects and has all it's original elements (lightbulb socket, switch, electric cord, plug).
    125  100 
    125  100 
  • Spectacular Murano cigar ashtray from the 1960s
    Spectacular Murano cigar ashtray from the 1960s
    45 

    Spectacular Murano cigar ashtray from the 1960s

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    Spectacular Murano cigar ashtray made of glass. The piece is distinguished by its fluid shapes, by the fine quality of the glass, as well as by its intense and extremely beautiful ruby red color. Hand blown, this piece is kept in very good vintage condition. The quality and tradition that characterize Murano’s finest glass furnaces have always been worthy of the highest appreciation. This prestige is due mostly to the glass masters’ hard work and dedication, which are the very core of Murano’s most famous trade. Glassmaking has been passed on from one generation to the next one, with constant innovations and timeless originality. The loyalty and respect with which this trade is treated is possibly the key to Murano’s success. Glass masters all over the island have always worked with endless vitality, and this creative vein is evident in every glass artwork that comes out of any furnace, with improved techniques and bewildering effects. Source: glassofvenice.com
    45 
    45 
  • Sale
    Lot of 2 elegant Art Deco candlesticks
    65  50 

    Lot of 2 elegant Art Deco candlesticks

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    Lot of two elegant Art Deco candlesticks. Both are made in France, in the 1940s and are characterized by clean geometry and the simplicity of their lines. They are in very good vintage condition.
    65  50 
    65  50 
  • Sale
    Pair of chairs manufactured in France
    Pair of chairs manufactured in France
    200  120 

    Pair of chairs manufactured in France

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    Beautiful pair of chairs made in France, in the 1960s. The structure, made of walnut, is very elegant and reminiscent of Art Deco current. The front legs, cone-shaped, have brass clogs. The chairs were re-upholstered in the spirit of the period and are in excellent condition.
    200  120 
    200  120 
  • Controlled bubbles (bullicante) Murano ashtray
    Controlled bubbles (bullincante) Murano ashtray
    40 

    Controlled bubbles (bullicante) Murano ashtray

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    Beautiful controlled bubbles (bullicante) Murano ashtray made of glass. Hand blown, this piece displays a nice chromatic effect and goes from dark green (to the rim) to clear white (at the bottom). The quality and tradition that characterize Murano’s finest glass furnaces have always been worthy of the highest appreciation. This prestige is due mostly to the glass masters’ hard work and dedication, which are the very core of Murano’s most famous trade. Glassmaking has been passed on from one generation to the next one, with constant innovations and timeless originality. The loyalty and respect with which this trade is treated is possibly the key to Murano’s success. Glass masters all over the island have always worked with endless vitality, and this creative vein is evident in every glass artwork that comes out of any furnace, with improved techniques and bewildering effects. The “bullicante” effect is amongst the most famous glass making techniques and it is seen quite often around the island of Murano. If you’ve had the fortune of strolling along the streets of Venice, you would have noticed beautiful glass pieces with small air bubbles trapped in the inside, possibly stopping to wonder how that seemingly impossible effect is achieved. This peculiar effect is obtained by placing a piece of molten glass inside a metallic mold with spikes, very much resembling a pineapple’s texture. These spikes cause small holes on the surface creating a pattern all around the glass piece. After it’s been left to cool down for a few moments, the whole piece is submerged in molten glass again. This second layer completely covers the first one. However, thanks to the thick consistency of glass, the holes previously impressed on the first layer are not covered, thus causing air to be trapped between both layers of glass. This process can be repeated several times, creating a pattern as complicated as the glass master wishes. This technique gives not only a sense of depth to the whole object, but also an incomparable decorative effect, famous for its originality. Source: glassofvenice.com
    40 
    40 

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