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Mid-Century German olive armchairs, 1950s, set of two
Mid-Century German olive armchairs, 1950s, set of two
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Beautiful pair of Mid-Century armchairs made in Germany in the 1950s. The items have a robust yet elegant look and features the sober lines of the Central European Modernism. The armchairs have new upholster in the same color as the original one. Also the decorative pins were applied manually. The items are in very good vintage condition and they can fit (and warm) any interior.
Pair of Swedish Gemla Mobler chairs. The structure and the armrests – made of curved wood – give a natural, organic and pleasant shape. This is completed in a beautiful way by the wool upholstery, in a shade of green that is specific for the Mid-Century furniture. This chairs can fit any nice interior, having the ability to create a warm atmosphere in the room. The chairs are in very good shape with only few age-related traces.
At Helge River in Diö, in the heart of the old forests of Småland, lies Sweden’s oldest furniture factory (founded in 1861). Its inner sanctum, beech and ash are tamed into time- less furniture by skilled craftsmen who know which way the wood likes to bend. Stretching and flexing, easing and teasing, until the steaming hot wood finds its form. And the wood will not be rushed. The transformation from log into chair takes days, sometimes even weeks. The technique has been used by boat and fence builders since ancient times but was refined in the mid 1800’s by Thonet into the iconic chair, worn my millions of seats in the cafés of Europe. The shape is determined by the best and the brightest of their time. Back then their names were Peter Celsing, Yngve Ekström, Sigurd Lewerentz and Carl Malmsten. Now they are Jonas Bohlin, Front, Lisa Hilland and Mats Theselius.
If your delivery address is not in the European Union, Iceland, Liechtenstein, Norway, or Switzerland, please be advised that import duty is not included in the prices you see online
What style of accent armchairs will work for me?
Consider the room’s current design scheme as well as your personal preferences when making this decision. Do you want something that can double as a focal point? If so, find something with exposed wood and less padding, or a piece upholstered in a unique materials, such as a vibrant velvet. Do you want to sink into your new seat with a glass of wine at the end of a long day? If relaxation is your main goal, you’ll want a design where comfort is key — think thick cushions, wide armchairs, or even a giant papasan chair. Consider the following types of chairs for your home:
Armchairs: Just like the name says, these feature two arms, and are synonymous with comfy living room chairs. They come in many styles, but the most common are the soft and inviting oversized chairs that sport substantial armrests. These are perfect for curling up in, and can be super conducive to getting lost in a good book. Smaller models, like barrel or club armchairs, can be a great way to incorporate that same cozy feeling in a slightly more formal way.
Egg Chairs: The modern futuristic look of this iconic style, created by Arne Jacobsen in 1958, is sure to be a showstopper. It’s been said the design of the egg chair was inspired by the popular womb chair; both styles feature womb-like shapes and round, modern curves. Its cousin, the swan armchair, is a smaller, less encompassing version, but will bring an equally modern and fun look to any room.
How big should my armchair be?
This depends on where you plan to put it. Determining the size is all about understanding scale — if it’s going in a spacious living room, a larger armchair will work, but if it’s going into a tight guest bedroom or a corner, consider one of smaller stature, such as a slipper chair or a corner chair. In addition, keep in mind the other furnishings in the room so that the size of your new piece works with them, not against them.
What upholstery material should I consider for armchairs?
In many cases, upholstered chairs tend to be accent pieces, so it may be fun to use a patterned fabric or bold color to make a statement. Cotton and polyester designs usually come in the widest variety of colors and patterns, but might not be the winners if you’re looking for fabrics that are easy to clean. If your style is more easy-going and classic, consider leather or microfiber; both are fairly easy to clean and will withstand wear-and-tear over time. Always take your climate into account as well when choosing an upholstered chair — for example, leather chairs may not be the best choice for hot sticky climates.
Should I pair my living room chair with an ottoman?
Ottomans and footstools are great for kicking back and relaxing, and work well if your armchair falls in line with a more casual, lounging style. Think along the lines of a leather chair and ottoman tucked in the corner by a cozy fireplace. If it’s too formal, a footrest may seem out of place. You’ll always need to consider space: Will there still be sufficient room for pathways and access to the chair itself? If so, your next step will be to make sure to get the height and width right. To maximize comfort, both pieces should be of similar width, with the footstool being as high as or slightly lower than the seat height. Ideally, you should try to coordinate the pieces by matching color, material or pattern.
Coffee table made in Norway, late 60s. The counter-top is made of teak; the legs are made of stainless steel with hard plastic clogs. The counter-top edges are cut inwards giving this piece a light non-intrusive look. The legs are not plain, but made of three thin rods. The minimalist shape, the dialogue between wood and stainless steel, the curved edges, the line of the counter-top, all of this make this table a leading exponent of Scandinavian Modern style. The piece is in very good condition.
Imposing emerald fruit bowl made in Murano in the 1970s. This tall, massive, beautifully colored piece is in very good vintage condition, showing no visible defects. During World War II the industry did not thrive, but as soon as the war was over the glass masters of Murano returned to their art and created pieces deeply rooted in interior design trends of that time with focus on minimalism, functionality, and simplicity. To support these trends Murano artists and artisans returned to techniques of the past such as filigree, murrino, and lattimo. From that point onwards Murano saw continued exploration of styles and techniques striving to find a happy medium between the technical mastery and the outline, color, and decoration. The resulting continuous innovation led to a rise in popularity and to multiple prizes at various international art exhibitions. Thanks to such prominent artists as Archimede Seguso, Ludovico and Laura De Santillana, Tobia Scarpa, Ercole Barovier, Fulvio Bianconi, Toni Zuccheri, Romano Chrivi, Giampaolo Martinuzzi, and Alfredo Barbini, Murano again became known as the glassblowing capital of the world. Murano now created the art trends as opposed to following them in the years past.
Tulip-spahed crystal candlestick made in Sweden in the 1950s (or early 1960s).
Exquisite cocktail shell armchair made in Italy in the late 1960. This suave shell-shaped item is characteristic for the La Dolce Vita atmoshere of the Italian mid-20th century. The armchair was recently restored. The new upholstery maintains the texture and color of the original one. The legs were re-stained but no other interventions were needed. The item is in great condition and will be the chic accent of any room. It’s incredibly comfortable so you just have to take a seat and enjoy your dolce far niente moments.
Elegant set of 3 Quadrille nesting tables made in the United Kingdom, in the 1960s. The design is inspired by the organic, Nordic lines of the Mid-Century. The tables are made of teak and are in very good vintage condition. On the bottom, one of the tables has the original label of the maker (G-Plan). This exquisite, nicely finished set can be a beautiful touch to any contemporary interior.
Pair of chairs made in France, in the late 1970s. The structure, made of walnut, draws a slim silhouette, accentuated by the trapezoidal shape of the backrest. The front legs, cone-shaped, have brass clogs. The chairs have new upholstery (in the spirit of the period) and are in excellent condition.