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Mid-Century German olive armchairs, 1950s, set of two
Mid-Century German olive armchairs, 1950s, set of two
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Beautiful pair of Mid-Century armchairs made in Germany in the 1950s. The items have a robust yet elegant look and features the sober lines of the Central European Modernism. The armchairs have new upholster in the same color as the original one. Also the decorative pins were applied manually. The items are in very good vintage condition and they can fit (and warm) any interior.
Pair of Swedish Gemla Mobler chairs. The structure and the armrests - made of curved wood - give a natural, organic and pleasant shape. This is completed in a beautiful way by the wool upholstery, in a shade of green that is specific for the Mid-Century furniture. This chairs can fit any nice interior, having the ability to create a warm atmosphere in the room. The chairs are in very good shape with only few age-related traces.
At Helge River in Diö, in the heart of the old forests of Småland, lies Sweden's oldest furniture factory (founded in 1861). Its inner sanctum, beech and ash are tamed into time- less furniture by skilled craftsmen who know which way the wood likes to bend. Stretching and flexing, easing and teasing, until the steaming hot wood finds its form. And the wood will not be rushed. The transformation from log into chair takes days, sometimes even weeks. The technique has been used by boat and fence builders since ancient times but was refined in the mid 1800's by Thonet into the iconic chair, worn my millions of seats in the cafés of Europe. The shape is determined by the best and the brightest of their time. Back then their names were Peter Celsing, Yngve Ekström, Sigurd Lewerentz and Carl Malmsten. Now they are Jonas Bohlin, Front, Lisa Hilland and Mats Theselius.
If your delivery address is not in the European Union, Iceland, Liechtenstein, Norway, or Switzerland, please be advised that import duty is not included in the prices you see online
What style of accent armchairs will work for me?
Consider the room’s current design scheme as well as your personal preferences when making this decision. Do you want something that can double as a focal point? If so, find something with exposed wood and less padding, or a piece upholstered in a unique materials, such as a vibrant velvet. Do you want to sink into your new seat with a glass of wine at the end of a long day? If relaxation is your main goal, you’ll want a design where comfort is key — think thick cushions, wide armchairs, or even a giant papasan chair. Consider the following types of chairs for your home:
Armchairs: Just like the name says, these feature two arms, and are synonymous with comfy living room chairs. They come in many styles, but the most common are the soft and inviting oversized chairs that sport substantial armrests. These are perfect for curling up in, and can be super conducive to getting lost in a good book. Smaller models, like barrel or club armchairs, can be a great way to incorporate that same cozy feeling in a slightly more formal way.
Egg Chairs: The modern futuristic look of this iconic style, created by Arne Jacobsen in 1958, is sure to be a showstopper. It’s been said the design of the egg chair was inspired by the popular womb chair; both styles feature womb-like shapes and round, modern curves. Its cousin, the swan armchair, is a smaller, less encompassing version, but will bring an equally modern and fun look to any room.
How big should my armchair be?
This depends on where you plan to put it. Determining the size is all about understanding scale — if it’s going in a spacious living room, a larger armchair will work, but if it’s going into a tight guest bedroom or a corner, consider one of smaller stature, such as a slipper chair or a corner chair. In addition, keep in mind the other furnishings in the room so that the size of your new piece works with them, not against them.
What upholstery material should I consider for armchairs?
In many cases, upholstered chairs tend to be accent pieces, so it may be fun to use a patterned fabric or bold color to make a statement. Cotton and polyester designs usually come in the widest variety of colors and patterns, but might not be the winners if you’re looking for fabrics that are easy to clean. If your style is more easy-going and classic, consider leather or microfiber; both are fairly easy to clean and will withstand wear-and-tear over time. Always take your climate into account as well when choosing an upholstered chair — for example, leather chairs may not be the best choice for hot sticky climates.
Should I pair my living room chair with an ottoman?
Ottomans and footstools are great for kicking back and relaxing, and work well if your armchair falls in line with a more casual, lounging style. Think along the lines of a leather chair and ottoman tucked in the corner by a cozy fireplace. If it’s too formal, a footrest may seem out of place. You’ll always need to consider space: Will there still be sufficient room for pathways and access to the chair itself? If so, your next step will be to make sure to get the height and width right. To maximize comfort, both pieces should be of similar width, with the footstool being as high as or slightly lower than the seat height. Ideally, you should try to coordinate the pieces by matching color, material or pattern.
Corner sideboard with rolling shutters. Can be used as a TV stand or minibar and is made in Germany, in the late 1940s or early 1950s. The contrast between the dark brown and acacia color are specific for the German furniture design of that period and creates a nice chromatic game. The sides and top are decorated with brass rods. Inside, the rolling shutters hide behind a double wall when open (so the storage space is completely void). The piece was recently restored and is in very good shape.
Elegant Art Deco oval vanity mirror made in France in the 1930s. The mirror is attached to the frame at two points on the side and can be easily adjusted according to the desired position. The piece is kept in a good condition.
Exquisite nesting tables set consisting of three tables with teak legs and wood veneer top. Made in Norway in the late 1960s, the set is in very good condition and has no visible damages. The legs – with a slightly conical shape – are removable (wood thread). The dimensions and specifications are external and related to the biggest table.
Spectacular and rare "Unika" series vase, signed by Per Lütken and produced at Holmegaard. Dated 1946, this crystal cut piece is made by sandblasting. This technique allowed that stylish vertical game of slim lines that defines this vase. Both the production date and the look put this piece between the Art Deco and Mid-Century aesthetics, being one of those objects that points the break with the past and the affirmation of a new style. The piece is not signed but - attention! - none of the the "Unika" vases were signed and - in this particular case - the lack of a signature is an additional guarantee of the authenticity of the piece.