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Pop table lamp made in France, in the 1970s
Pop table lamp made in France, in the 1970s
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Suave and elegant globe table lamp made in France in the 1970s. With a minimalist design, this lamp features a spiral, discrete metal support as a lamp base. The opaque white globe falls both into Pop and Atomic Age aesthetics. The lamp has it’s original electrics, including the plug and the switch.
Beautiful Living Room set consisting of a sofa and two armchairs designed by the famous Bruksbo Tegnekontor design studio and made at Stranda Industri a/s in the 1960s. This set is the creation of Torbjørn Afdal, the most famous of their designers. The rosewood frame, the wide armrests, the minimalist outline, all are typical for his style. Both the sofa and the armchairs have their original upholstery.
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Beautiful Space Age table lamp made in Germany, in the mid 20th century. The base of the lamp, resembling the fins of a rocket are made of beige plastic. The lightshade, made of dark brown bakelite also features an aerodynamic shape. Made in the 1960s, this is a representative piece fort the aesthetics of the Space Race era.
The Space Age is a time period encompassing the activities related to the Space Race, space exploration, space technology, and the cultural developments influenced by these events. The Space Age is generally considered to have begun with Sputnik (1957). During the 1950s, architecture, furniture, interior design, cars, and gadget design took on a curiously spaceflight-inspired aesthetic.
Cord legth: 140 cm, Original plug, Original switch, Original wiring
European plug (up to 240V), Type E plug
Approx. 1,5 kg
23 cm diameter (the globe), Lamp base = 22 cm, Total height = 44 cm
If your delivery address is not in the European Union, Iceland, Liechtenstein, Norway, or Switzerland, please be advised that import duty is not included in the prices you see online
Atomic Age in design refers to the period roughly corresponding to 1940–1960 and extending in the 1970s, when concerns about nuclear war dominated Western society during the Cold War. The discovery and development of the Electron microscope had also a huge impact. Architecture, industrial design, commercial design (including advertising), interior design, and fine arts were all influenced by the themes of atomic science, as well as the Space Age, which coincided with that period. Atomic Age design became popular and instantly recognizable, with a use of atomic motifs and space age symbols. Retrofuturism is a current resurgence of interest in Atomic Age design.
Free-form organic shapes also appear as a recurring theme in Atomic Age design, reflecting x-ray technology that was becoming more widespread and familiar in pop culture. These botanic designs influenced later the patterns that included repeating organic shapes similar to cells and organisms viewed through a microscope.
“Vital forms”, or abstract organic forms, were identified as a core motif. Atomic power was a paradox during the era. It held great promise of technological solutions for the problems facing an increasingly complex world; at the same time, people were fearful of a nuclear armageddon, after the use of the atomic bomb at the end of World War II. People were ever-aware of the potential good, and lurking menace, in technology. Science became more visible in the mainstream culture through Atomic Age design.
Atomic particles themselves were reproduced in visual design, in areas ranging from architecture to barkcloth patterns. The geometric atomic patterns that were produced in textiles, industrial materials, melamine counter tops, dishware and wallpaper, and many other items, are emblematic of Atomic Age design. The Space Age interests of the public also began showing up in Atomic Age designs, with star and galaxy motifs appearing with the atomic graphics.
Sofa bed with radial armrests, made in Germany in the 1950s. The organic and delicate shapes are consistent with the German Modernism. The legs are flared. The piece is in a very good condition and was recently restored.
Luna armchair, designed by the famous Norwegian designer Odd Knutsen in 1970 and produced until the dissolution of MOBLER Hjellegjerde AS. The chair has a structure of laminated wood. The Luna armchairs were made of rubber tree wood, which allow easy cutting yet is very strong.
Towering Norwegian Mid-Century armchair produced in Stranda, probably at P. I. Langlo's Fabrikker. The armchair shows Scandinavian Modern representative elements, like rosewood tapered legs and brass decorations. The backrest and armrests (in solid rosewood) have a gentle, natural line, avoiding sharp angles; this gives the piece a pleasant, organic look. The armchair was reupholstered in the zeitgeist of Lango's models and is in a very good condition.