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Vintage Atomic Age coat rack
Vintage Atomic Age coat rack
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Colorful Atomic Age wall coat rack made of metal and colored hard plastic. The piece is produced in France, probably in the 1980s and features clean, geometric forms and a joyful look. The item is kept in very good vintage condition.
Coffee table made in Norway, late 60s. The counter-top is made of veneered wood; the legs are made of stainless steel with hard plastic clogs. The counter-top edges are cut inwards giving this piece a light non-intrusive look. The legs are not plain, but made of three thin rods. The minimalist shape, the dialogue between wood and stainless steel, the curved edges, the line of the counter-top, all of this make this table a leading exponent of Scandinavian Modern style. The piece is in good vintage condition (see photos).
Beautiful pair of chairs made in France, in the 1960s. The structure, made of walnut, is very elegant and reminiscent of Art Deco current. The front legs, cone-shaped, have brass clogs. The chairs were re-upholstered in the spirit of the period and are in excellent condition.
If your delivery address is not in the European Union, Iceland, Liechtenstein, Norway, or Switzerland, please be advised that import duty is not included in the prices you see online
Coat rack, coat stand or a hatstand is an item of furniture on which clothes may be hung. A coat rack often refers to a set of hooks that are attached to a wall and is mainly used to hang coats and jackets. In a kitchen or bathroom environment the coat rack is often used to hang towels. In some cases, a coat rack refers to a self-standing piece of furniture. The self-standing variant is more often referred to as an hatstand and is mostly used to hang coats, jackets, umbrellas and hats.
Need a quick fix to take care of a lot of clothes? Say hello to our clothes racks and stands. They’re easy to assemble, easy to move and easy to fit in, even in the smallest areas of your home. And their low prices mean you’ll have more money left over for things to hang on them!
The origin of the coat rack is unknown, but it has gained in popularity as closet space has decreased in households. They come in a variety of materials and styles to allow users to save space while remaining organized. Additionally, coat racks allow users to utilize wall space, the backs of doors, and even corners of rooms that would otherwise go empty. Coat racks were able to replace storage trunks and heavy armoires. They also come with drawers or benches for additional storage space, depending on user preferences. In an economy where saving money is more important than ever, users are choosing to purchase inexpensive coat racks instead of the cost of installing a built-in coat closet.
This guide is designed to help users decide which style of coat rack is best for them, be it modern, contemporary, antique, or vintage. It will also go over the differences between wall racks, standing racks, and over-the-door racks to help users know what to look for in their search. In addition, hall tree benches are another option for coat racks for anyone with more space. Buyers have the option of finding coat racks at local furniture stores or online through Internet merchants and auction websites like eBay.
Small purple Murano bowl made in the 1970s. Nicely colored in an exquisite purple shade, the bowl features a "half an apple" shape, which has been very popular in Murano since the second half of the 1950s. The bowl is in very good vintage condition.
During World War II the industry did not thrive, but as soon as the war was over the glass masters of Murano returned to their art and created pieces deeply rooted in interior design trends of that time with focus on minimalism, functionality, and simplicity. To support these trends Murano artists and artisans returned to techniques of the past such as filigree, murrino, and lattimo. From that point onwards Murano saw continued exploration of styles and techniques striving to find a happy medium between the technical mastery and the outline, color, and decoration. The resulting continuous innovation led to a rise in popularity and to multiple prizes at various international art exhibitions. Thanks to such prominent artists as Archimede Seguso, Ludovico and Laura De Santillana, Tobia Scarpa, Ercole Barovier, Fulvio Bianconi, Toni Zuccheri, Romano Chrivi, Giampaolo Martinuzzi, and Alfredo Barbini, Murano again became known as the glassblowing capital of the world. Murano now created the art trends as opposed to following them in the years past.
Spectacular vase from the famous Næbvase (Duckling or Beak vase) series, signed by Per Lütken and produced at Holmegaard. A very exquisite piece, which was appreciated since the beginning for its supple, organic and soft shape. Signed, identified and dated on the bottom, “Holmegaard 19PL55” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year). The Næbvase (Duckling or Beak vase) series was in production between 1952 and 1974.
Spectacular Murano cigar ashtray made of glass. The piece is distinguished by its fluid shapes, by the fine quality of the glass, as well as by its intense and extremely beautiful ruby red color. Hand blown, this piece is kept in very good vintage condition.
The quality and tradition that characterize Murano’s finest glass furnaces have always been worthy of the highest appreciation. This prestige is due mostly to the glass masters’ hard work and dedication, which are the very core of Murano’s most famous trade. Glassmaking has been passed on from one generation to the next one, with constant innovations and timeless originality. The loyalty and respect with which this trade is treated is possibly the key to Murano’s success. Glass masters all over the island have always worked with endless vitality, and this creative vein is evident in every glass artwork that comes out of any furnace, with improved techniques and bewildering effects.