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Elegant teak armchair made in Germany in the 1960s
Elegant teak armchair made in Germany in the 1960s
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Joyful teak armchair made in Germany in the 1960s. This item displays very nice suave angles and an overall organic design look. It has a renewed upholstery with multicolored (earthly) stripes. A beautiful piece of modern design that can represent a nice touch to any home.
Pair of Swedish Gemla Mobler chairs. The structure and the armrests – made of curved wood – give a natural, organic and pleasant shape. This is completed in a beautiful way by the wool upholstery, in a shade of green that is specific for the Mid-Century furniture. This chairs can fit any nice interior, having the ability to create a warm atmosphere in the room. The chairs are in very good shape with only few age-related traces.
At Helge River in Diö, in the heart of the old forests of Småland, lies Sweden’s oldest furniture factory (founded in 1861). Its inner sanctum, beech and ash are tamed into time- less furniture by skilled craftsmen who know which way the wood likes to bend. Stretching and flexing, easing and teasing, until the steaming hot wood finds its form. And the wood will not be rushed. The transformation from log into chair takes days, sometimes even weeks. The technique has been used by boat and fence builders since ancient times but was refined in the mid 1800’s by Thonet into the iconic chair, worn my millions of seats in the cafés of Europe. The shape is determined by the best and the brightest of their time. Back then their names were Peter Celsing, Yngve Ekström, Sigurd Lewerentz and Carl Malmsten. Now they are Jonas Bohlin, Front, Lisa Hilland and Mats Theselius.
Coffee table made in Norway, late 60s. The counter-top is made of veneered wood; the legs are made of stainless steel with hard plastic clogs. The counter-top edges are cut inwards giving this piece a light non-intrusive look. The legs are not plain, but made of three thin rods. The minimalist shape, the dialogue between wood and stainless steel, the curved edges, the line of the counter-top, all of this make this table a leading exponent of Scandinavian Modern style. The piece is in good vintage condition (see photos).
Beautiful and very comfortable Windsor 478 armchair with ottoman. This armchair was designed by Lucian Ercolani for Ercol and was manufactured during the 1950s in the United Kingdom. The frame of the armchair and ottoman are made of solid ash-wood. The quiet dialogue between the green of the upholstery and the honey-color of the wood is very elegant and the item is in a very good vintage shape. It preserves both original labels (the one on the armchair is just a partial, but the one on the ottoman is intact).
Very well preserved set of 4 Wiesner Hager chairs made in Austria in the 1970s. Plywood with cherry wood veneer and a tubular steel cantileverd structure. They have the original fabric upholstery. The chairs have an ergonomic shape, featuring organic, curved lines, but an overall industrial design look, being that kind of furniture items that are as much about function as style.
Wiesner-Hager was founded by Josef Wiesner as a carpentry business in 1849. In the year 1921 Rudolf Wiesner and Sebastian Hager took over their father’s business, which was at that time purely a carpentry and construction company. With the restructuring of part of the construction business into a furniture manufacture the two lay the cornerstone for a second branch of the business. Now, due to major changes in the working world and the enormous upheavals in the office and properties branch, the furniture offering has been expanded since the noughties to include the services of office consulting and interior design: Concept orientation has become a key success factor. With an export quota of 50% Wiesner-Hager is currently one of the most renowned companies in the furniture branch in Europe.
Coffee table made in Norway, late 60s. The counter-top is made of veneered wood; the legs are made of stainless steel with hard plastic clogs. The counter-top edges are cut inwards giving this piece a light non-intrusive look. The legs are not plain, but made of three thin rods. The minimalist shape, the dialogue between wood and stainless steel, the curved edges, the line of the counter-top, all of this make this table a leading exponent of Scandinavian Modern style. The piece is in very good condition.
Imposing emerald fruit bowl made in Murano in the 1970s. This tall, massive, beautifully colored piece is in very good vintage condition, showing no visible defects. During World War II the industry did not thrive, but as soon as the war was over the glass masters of Murano returned to their art and created pieces deeply rooted in interior design trends of that time with focus on minimalism, functionality, and simplicity. To support these trends Murano artists and artisans returned to techniques of the past such as filigree, murrino, and lattimo. From that point onwards Murano saw continued exploration of styles and techniques striving to find a happy medium between the technical mastery and the outline, color, and decoration. The resulting continuous innovation led to a rise in popularity and to multiple prizes at various international art exhibitions. Thanks to such prominent artists as Archimede Seguso, Ludovico and Laura De Santillana, Tobia Scarpa, Ercole Barovier, Fulvio Bianconi, Toni Zuccheri, Romano Chrivi, Giampaolo Martinuzzi, and Alfredo Barbini, Murano again became known as the glassblowing capital of the world. Murano now created the art trends as opposed to following them in the years past.
Tulip-spahed crystal candlestick made in Sweden in the 1950s (or early 1960s).
Pair of chairs made in France, in the late 1970s. The structure, made of walnut, draws a slim silhouette, accentuated by the trapezoidal shape of the backrest. The front legs, cone-shaped, have brass clogs. The chairs have new upholstery (in the spirit of the period) and are in excellent condition.