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Beautiful Eve floor lamp made in France in the 1970s. The tube is made of chromed metal and the lamp shade is made of acryl. Featuring the aesthetics of Atomic Age design, this item is in an overall good condition, showing only some age related scratches on the base and a little bend on the shade (see photos). The lamp has its original labels.

Spectacular table lamp signed Val Saint Lambert. This hand-made piece is made in the 1960s by the most prominent crystal manufacturer in Benelux, official supplier to H.M. the King of Belgium. Signed on the bottom, "Val St. Lambert". Still has the original label. The piece is in a very good condition. History of Val St. Lambert: In June 1826, smoke was rising from the chimney of the Cistercian abbey in Seraing, near Liège: the first furnace of the Val Saint Lambert Crystal Works had just been fired up. Val Saint Lambert would rapidly emerge as the epicentre of the Belgian crystal industry. For all the preconditions for a successful industry were met: the vicinity to the Meuse, a coal-rich region, a rail network, and even the enormous monastery facilities, which were ideally suited for artistic and craft activities on a large scale. The end of the 19th century ushered in a golden age for Val Saint Lambert. The site around the former abbey expanded into an impressive village with more than 180 worker dwellings, with small gardens, a school, a shop, and even a hospital. In the crystal works, by now world famous, some 5,000 employees produced 120,000 unique crystal creations each day. World War I brought an abrupt end to the expansion. Several key markets disappeared: the Balkans, the Russian tsars and Germany. The great depression of 1929 and the bombardment of World War II meant a further decline for the crystal works. This situation lasted up to the 1960s and 1970s, before two major innovations breathed new life into Val Saint Lambert: the introduction of the diamond disc for better cutting and engraving, and the replacement of the traditional pot furnace by a bath furnace, which melted solid raw materials into liquid glass. From the 1970s the company’s history is marked by several restructurings and takeovers. Today, the Val Saint Lambert Crystal Works are in the hands of the Onclin family, which aspires to reinstate the brand on a global level. Source: val-saint-lambert.com

Rare and beautiful pair of Mid Century armchairs for her and him made in Denmark in the 1960s. His armchair is a little bit bigger and has a backrest with straight angles while hers is smaller and features a suavely curved backrest. The armchairs have new upholstery which follows the texture and color of the original one. The pair is in good vintage condition and will look great in a variety of places around your home. The him armchair has some minor signs of wear on one of the armrests. All the little signs of wear are visible in the photos.

Spectacular sixteen-light geometrical chrome chandelier made in the 1960s in Italy. Presenting both the characteristics of European rational modernism, as well as those of Space Age design, this chandelier could be a stylish addition to any interior. Part of the large family of Sputnik style ceiling lights, this item has 16 chromed cylinders connected to a central axis in two-tier (8 of them "drawing" an inner circle and 8 of them an outer one). The chandelier is in full working order and in very good vintage condition.

Beautiful set of 6 wonderful vintage cantilevered Italian dining chairs designed by Giovanni Offredi for Saporiti and manufactured in the 1970s. The original labels are underneath. The bases are polished stainless steel. Some of the original rubber tips are missing, but they were replaced. Founded in the 1950s, Saporiti Italia Group provides advanced design solutions for clients all over the world and is known for its iconic Mid-Century and Space-Age furniture. The chairs are in overall good vintage condition.

Spectacular and very rare Luxor Swiss table clock made in the 1940s. This golden clock is an exponent of Art Deco aesthetics: supple and elegant lines, geometric shape, some decorative elements (the twisted little bar at the top). This is a 8 days mechanical clock with alarm (it has to be manually winded once a week to operate). It is in very good condition with only small age-related traces. Luxor clocks are highly prized by collectors around the world, both for their mechanism and aspect.  

Elegant Mid-Century brass floor lamp with fiberglass shade. The lamp is made in the 1950s in Germany. It has its original switches and they work separately: one powers the lightbulb at the top of the lampshade and the other powers the two lightbulbs at the base of the lampshade. The item is in overall good shape with some scratches on the tripod and minor signs of ware on the shade (see photos).

Beautiful Art Deco mantel clock made in the late 1930s or early 1940s. It features a very elegant cylindrical wood case placed on a exquisite wood base. The golden dial, with Art Deco numbers is impressive in it's rigor and minimalism. The clock is in very good condition with only small age-related traces. The movement mechanism uses a pendulum. The clock chimes mark every hour (with a number of strikes/bells that equals the hour) and half hour (with just one strike/bell).

Pair of chairs made in France, in the late 1970s. The structure, made of walnut, draws a slim silhouette, accentuated by the trapezoidal shape of the backrest. The front legs, cone-shaped, have brass clogs. The chairs have new upholstery (in the spirit of the period) and are in excellent condition.

Spectacular crystal ashtray signed by Daum Nancy and made in France, in the 1960s. The translucent emerald color and the flower-shaped line give this piece a refined, elegant and discreet look. It’s signed on the bottom "Daun Nancy" – Cross of Lorraine – "France", in the typical manner of this famous manufacturer. Also retains the label of the first crystal shop that sold it: "Cristallerie Moser-Millot Paris 30 Bd. Des Italiens". Is in a very good condition, with minimal age related signs. Daum Nancy rose to prominence during the Art Nouveau and Art Deco period, and captured the imagination of collectors all over the world. Let us take a quick look at the interesting events that shaped the company. Jean Daum was a notary from Bitche who had lent some money to the proprietors of a glass factory in Nancy, the capital town of the French region of Lorraine. The glassworks was then named "Verrerie Sainte Catherine". In 1878, Daum took over the factory when its erstwhile owners were unable to pay off their debt and renamed it "Verrerie de Nancy". The factory initially produced glassware such as drinking glasses and pitchers and then ventured into artistic glass manufacturing in 1891. After Daum’s death in 1885, his son Auguste Daum took over the control of the company in the year 1890. The Daum brothers exhibited their "Handsome Tavern Glass" at the Paris International Exhibition in 1889. This event was of utmost significance because it marked the birth of the French Art Nouveau movement. Daum received his first "Grand Prix" in 1900 because by then his factory had established its name as a producer of high quality glass. By 1903, Daum had started making vitrified vases. These vases are singularly responsible for the kind of fame the company acquired in the early 1900s. In 1906 Daum began the manufacture of pâte-de-verre, a glass-making technique first used over five thousand years ago in the early world. In order to understand the collector’s interest in Daum Nancy objects, one must realize that this company has shaped itself up to become a producer of glass art objects and not simple glassworks. It pioneered and revolutionized old techniques by working with colour powders, acids, enamel and fluorine hydrogen. From the early 1900s emphasis was placed upon ornamental motifs in naturalistic forms. When Galle died in 1904, the Daum brothers became the leaders in the field of decorative glass and their dominance lasted for one productive, golden decade. Source: artnewsnviews.com

Set of two large Clan floor lamps by Harvey Guzzini for Meblo. The great modern form emits a beautiful, warm green glow. Soft light is diffused through the graduated tint of the acrylic globe shade. The white acrylic dome top rests in an chromed metal ring frame and lifts to reveal a translucent white interior and a single medium base socket. The lamp rests in a cylindrical fiberglass base which allows directional positioning of the light source. If you are interested in buying just one of the two lamps, the price is 500 euros. Please contact us on hello@mid-century.net for details. Harvey Guzzini is often mistakenly thought to be the name of a lighting designer active in the 1960s and 1970s. But in fact the label belongs to a lighting manufacturing company, which was founded by six Guzzini brothers - Raimondo, Giovanni, Virgilio, Giuseppe, Adolfo and Giannunzio - who were inspired by the 1950 film Harvey starring James Stewart. Compounding the historical record even further, it seems that the Guzzini company rebranded many times in the 20th century, going by, at various points, Harvey Creazioni, Harvey Guzzini, Guzzini, iGuzzini, and Illuminazione Guzzini. Harvey Creazioni was originally founded in 1959 in Recanti (on the east central coast of Italy) by Raimondo, focusing on the production of copper-plated decorative objects. Four years later, in June 1963, the six brothers joined together and established Harvey Creazioni di Guzzini, expanding production to include pendant lighting, sconces, and lamps, floor lamps. The brothers employed architect-designer Luigi Massoni—who was introduced to the Guzzini brothers by leading plastic importer Maurizio Adreani—as head of design, branding, public relations, and advertizing. Famous Harvey Guzzini designs include Massoni and Luciano Buttura's Mushroom Table Lamp (1965), as well as the in-house designed Arc Floor Lamp (1968), Faro Table Lamp (1970), and Toledo Table Lamp (1973). Studio 6G, an interning design team, developed the collectible Clan Lamp (1968); and designers Ermanno Lampa and Sergio Brazzoli were responsible for the Nastro Series (1970), Orione Pendant (1970), Sirio Table Lamp (1970), Alba Floor Lamp (1973), Albanella Table Lamp (1973), and Alf Series (1976).

Beautiful pair of Mid-Century armchairs made in Germany in the 1950s. The items have a robust yet elegant look and features the sober lines of the Central European Modernism. The armchairs have new upholster in the same color as the original one. Also the decorative pins were applied manually. The items are in very good vintage condition and they can fit (and warm) any interior.

Spectacular UFO Space Age ceiling light made in Germany, in the mid 20th century. The light consists of two plates of yellow glass with geometric decorations (black lines). Made in the 1960s and resembling an UFO, this is a representative piece fort the aesthetics of the Space Race era. The Space Age is a time period encompassing the activities related to the Space Race, space exploration, space technology, and the cultural developments influenced by these events. The Space Age is generally considered to have begun with Sputnik (1957). During the 1950s, architecture, furniture, interior design, cars, and gadget design took on a curiously spaceflight-inspired aesthetic.

Pair of Swedish Gemla Mobler chairs. The structure and the armrests - made of curved wood - give a natural, organic and pleasant shape. This is completed in a beautiful way by the wool upholstery, in a shade of green that is specific for the Mid-Century furniture. This chairs can fit any nice interior, having the ability to create a warm atmosphere in the room. The chairs are in very good shape with only few age-related traces. At Helge River in Diö, in the heart of the old forests of Småland, lies Sweden's oldest furniture factory (founded in 1861). Its inner sanctum, beech and ash are tamed into time- less furniture by skilled craftsmen who know which way the wood likes to bend. Stretching and flexing, easing and teasing, until the steaming hot wood finds its form. And the wood will not be rushed. The transformation from log into chair takes days, sometimes even weeks. The technique has been used by boat and fence builders since ancient times but was refined in the mid 1800's by Thonet into the iconic chair, worn my millions of seats in the cafés of Europe. The shape is determined by the best and the brightest of their time. Back then their names were Peter Celsing, Yngve Ekström, Sigurd Lewerentz and Carl Malmsten. Now they are Jonas Bohlin, Front, Lisa Hilland and Mats Theselius.

English Mid-Century Modern model PK1016-19 armchair from Parker Knoll. The armchair have a curvaceous wooden frame (made of stained beech) with two loose light marsala cushions. The upholstery have a nice and soft velvet look. The model was designed in 1968 and is part of the 'Florian' range. The item is in good vintage condition and has all the original labels/stamp: the Parker Knoll stamp, a Parker Knoll label, and two quality control marks. The bottom cushion sits on the original tension springs, flanked by the original Parker Knoll textile ribbons.

Elegant Mid-Century Black Mushroom Table Lamp by Egon Hillebrand for Hillebrand Lighting. Made in the late 1960s, this table lamp features the distinctive characteristics of the Atomic Age Design. The black canopy shade, made of metal, is set on a chromed minimalist body. The lamp features a beautiful white top made of  plexiglass, a very innovative and fashionable material both at that time and today. The lamp is in a general good vintage condition, but has some minor cracks on a small area of the plexiglass, mostly covered by the chromed decorative bolt on top. All defects are visible in the pictures.

Elegant Art Deco sofa made in France in the 1970s. Featuring exquisite wooden arm posts and front legs - resembling some strong Greek Doric columns - and a nicely arched crest rail, the sofa has been recently restored and has new upholstery. With a sophisticated yet modern look, this item can accommodate an elegant living room, hallway or salon.

Vintage daybed made in Germany in the early 1980s. Made of wood, this sofa is extensible on its left side (see pictures). The model is typical for the period and the discret beige colour, in a nice dialogue with the dark wooden parts, is a recuring theme of the german rationalism in design. The sofa is in good vintage condition.

Exquisite nesting tables set consisting of three tables with teak legs and wood veneer top. Made in Norway in the late 1960s, the set is in very good condition and has no visible damages. The legs – with a slightly conical shape – are removable (wood thread). The dimensions and specifications are external and related to the biggest table.