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Philips INFRAPHIL KL7500 light made in the 1960s
Philips INFRAPHIL KL7500 light made in the 1960s
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Philips INFRAPHIL KL7500 light made in the 1960s in the Netherlands. This model is designed by the french architect and designer Charlotte Perriand Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. The item is in full working order and in great vintage condition.
This Infraphil KL7500 represents the basic design for the 1960’s an 1970’s. Made from cast aluminium it weighs more than one kilo and a half. For the first time pressed glass with an integrated Fresnel lens is applied. The lamp is fixed with a clamping ring that fits in a groove in the front of the armature. The trademark Philips is integrated in the grip, a foil with the Philips logo is adhered on top of armature. There is no further type indication on the armature.
Royal Philips Electronics registered the brand name Infraphil in September 1945. Infraphil is a clipping from INFRAred and PHILips. From 1946 on Philips released several dozens of infrared light bulbs for soothing warming appliances worldwide.
Beautiful Space Age table lamp made in Germany, in the mid 20th century. The base of the lamp, resembling the fins of a rocket are made of beige plastic. The lightshade, made of dark brown bakelite also features an aerodynamic shape. Made in the 1960s, this is a representative piece fort the aesthetics of the Space Race era.
The Space Age is a time period encompassing the activities related to the Space Race, space exploration, space technology, and the cultural developments influenced by these events. The Space Age is generally considered to have begun with Sputnik (1957). During the 1950s, architecture, furniture, interior design, cars, and gadget design took on a curiously spaceflight-inspired aesthetic.
Spectacular table lamp signed Val Saint Lambert. This hand-made piece is made in the 1960s by the most prominent crystal manufacturer in Benelux, official supplier to H.M. the King of Belgium. Signed on the bottom, "Val St. Lambert". Still has the original label. The piece is in a very good condition.
If your delivery address is not in the European Union, Iceland, Liechtenstein, Norway, or Switzerland, please be advised that import duty is not included in the prices you see online
Koninklijke N.V. (Koninklijke Philips N.V. of the Netherlands, commonly known as), (stylized as PHILIPS) is a Dutch technology company headquartered in Amsterdam with primary divisions focused in the areas of electronics, healthcare and lighting. It was founded in Eindhoven in 1891, by Gerard and his father Frederik. It is one of the largest electronics companies in the world and employs around 105,000 people across more than 60 countries.
Philips is organized into three main divisions: Consumer Lifestyle (formerly Consumer Electronics and Philips Domestic Appliances and l Care), Philips Healthcare (formerly s Medical Systems) and Philips Lighting. As of 2012, was the largest manufacturer of lighting in the world measured by applicable revenues. In 2013, the company announced the sale of the bulk of its remaining consumer electronics operations to Japan’s Funai Electric Co, but in October 2013, the deal to Funai Electric Co was broken off and the consumer electronics operations remain under Philips. Philips said it would seek damages for breach of contract in the US$200-million sale. In April 2016, the International Court of Arbitration ruled in favour of Philips, awarding compensation of €135 million in the process.
Philips has a primary listing on the Euronext Amsterdam stock exchange and is a component of the Euro Stoxx 50 stock market index. It has a secondary listing on the New York Stock Exchange.
In 2004, abandoned the slogan “Let’s make things better” in favour of a new one: “Sense and simplicity”.
In December 2005 announced its intention to sell or demerge its semiconductor division. On 1 September 2006, it was announced in Berlin that the name of the new company formed by the division would be NXP Semiconductors. On 2 August 2006, Philips completed an agreement to sell a controlling 80.1% stake in NXP Semiconductors to a consortium of private equity investors consisting of Kohlberg Kravis Roberts & Co. (KKR), Silver Lake Partners and AlpInvest Partners. On 21 August 2006, Bain Capital and Apax Partners announced that they had signed definitive commitments to join the acquiring consortium, a process which was completed on 1 October 2006.
In 2006 Philips bought out the company Lifeline Systems headquartered in Framingham, Massachusetts in a deal valued at $750 million, its biggest move yet to expand its consumer-health business (M).
In August 2007, Philips acquired the company Ximis, Inc. headquartered in El Paso, Texas for their Medical Informatics Division. In October 2007, it purchased a Moore Microprocessor Patent (MPP) Portfolio license from The TPL Group.
On 21 December 2007, and Respironics, Inc. announced a definitive agreement pursuant to which acquired all of the outstanding shares of Respironics for US$66 per share, or a total purchase price of approximately €3.6 billion (US$5.1 billion) in cash.
On 21 February 2008, completed the acquisition of VISICU Baltimore, Maryland through the merger of its indirect wholly owned subsidiary into VISICU. As a result of that merger, VISICU has become an indirect wholly owned subsidiary of . VISICU was the creator of the eICU concept of the use of Telemedicine from a centralized facility to monitor and care for ICU patients.
The physics laboratory was scaled down in the early 21st century, as the company ceased trying to be innovative in consumer electronics through fundamental research.
Beautiful controlled bubbles (bullicante) Murano ashtray made of glass. Hand blown, this piece displays a nice chromatic effect and goes from dark green (to the rim) to clear white (at the bottom).
The quality and tradition that characterize Murano’s finest glass furnaces have always been worthy of the highest appreciation. This prestige is due mostly to the glass masters’ hard work and dedication, which are the very core of Murano’s most famous trade. Glassmaking has been passed on from one generation to the next one, with constant innovations and timeless originality. The loyalty and respect with which this trade is treated is possibly the key to Murano’s success. Glass masters all over the island have always worked with endless vitality, and this creative vein is evident in every glass artwork that comes out of any furnace, with improved techniques and bewildering effects.
The “bullicante” effect is amongst the most famous glass making techniques and it is seen quite often around the island of Murano. If you’ve had the fortune of strolling along the streets of Venice, you would have noticed beautiful glass pieces with small air bubbles trapped in the inside, possibly stopping to wonder how that seemingly impossible effect is achieved. This peculiar effect is obtained by placing a piece of molten glass inside a metallic mold with spikes, very much resembling a pineapple’s texture. These spikes cause small holes on the surface creating a pattern all around the glass piece. After it’s been left to cool down for a few moments, the whole piece is submerged in molten glass again. This second layer completely covers the first one. However, thanks to the thick consistency of glass, the holes previously impressed on the first layer are not covered, thus causing air to be trapped between both layers of glass. This process can be repeated several times, creating a pattern as complicated as the glass master wishes. This technique gives not only a sense of depth to the whole object, but also an incomparable decorative effect, famous for its originality.
Lot of 2 table clocks (Junhans, Jerger) made in Germany in the 1960s. Both clocks features the International Style lines and shapes and are characterized by a clean, functional, minimalist design. Both are in full working order. Each of them need to be manually winded once a day to operate.
Jerger: The company was founded by the clockmaker Wilhelm Jerger (1845–1921) in 1866 and was active for 34 years before merging with the Uhrenfabrik Villingen. Jerger Clock's history is especially interesting today because around 1900 there was a dispute in the German horolitas about which firm, Jerger or Junghans, had first made Amerikanerwerke (American type movements). Jerger proved the first, and the Grand Duke of Baden awarded Jerger the Zähringer Löwenorden (The Order of the Lion) for his services to Baden.
Junhans: Junghans Uhren GmbH is a German watch and clock manufacturer. The company was founded in 1861 and is located in Schramberg, Baden-Württemberg. By 1903, Junghans had the largest watch and clock factory with over 3000 employees. Beginning in the 1950s, the Bauhaus designer Max Bill created clocks and watches for Junghans and the relationship lasted many years. A remarkable example of his work is a wall clock he designed in 1956/57 that is in the collection of The Museum of Modern Art (New York). In 1962 Bill also created mechanical wristwatches for Junghans – impressive timepieces, not only for their aesthetic design, but also their precision. In the late 1980s, Junghans introduced the first radio-controlled table clock on the world market. In 1990 the first radio-controlled wristwatch, called the MEGA 1, followed. In 1995 Junghans presented a solar powered watch with ceramic housing. Together with the Japanese clock maker Seiko, Junghans developed a globally oriented wristwatch that automatically sets the local time in respective time zones.
Lot of 4 vintage table clocks made in Germany (Blessing, Mauthe, & Ruhla) and Czechoslovakia (Prim). All are in full working order. Each of them need to be manually winded once a day to operate.
Blessing: made in Germany in the 1950s, this mechanical alarm clock features Art Deco elements (hour marks, clock hands, clock base) and also the International Style aesthetics. Kept in very good vintage condition.
Mauthe: made in Germany in the 1940s, this is an Art Deco mechanical alarm clock. The case, in beige, is in sharp contrast to the black dial. At the top and in the lower area, the golden accents complete the sober and elegant image of this clock. Although is kept in a good overall condition, there are some very discrete scratches on the glass; also the phosphorus on the hour and minute hands of the clock have some minor defects.
Prim: made in Czechoslovakia in the 1970s, this is a metal case mechanical alarm clock. Kept in very good condition, this item is characterized by a minimalist, beautiful, modern look.
Ruhla: made in Germany in the 1970s, this mechanical alarm clock features a bright orange plastic case and a black dial with bold, prominent, hour marks. A beautiful and highly collectible table clock, featuring an Atomic/Space Era aesthetics.
Spectacular Murano sommerso vase for one flower (soliflore) in shades of red (the interior layer), yellow (the median layer) and blue (the outer layer). Because of its shape, this type of vase is also known as "Teardrop". The piece is made in the 1960s and is kept in very good condition, showing no visible deterioration. It has its original label.
When thinking of Murano glass, it is highly unlikely that we think of sand, yet this rare material is at the base of all glass production. Glass is firstly a mix of siliceous sand, soda, lime and potassium, which is put to melt inside an oven at a temperature of around 1.500 Celsius. After it has become flexible enough, it is removed with a pipe that will be used to blow the glass out while the glassmaker shapes and models it. The forms and colors given to each piece depend on the tools and chemicals used during its production. The techniques are also important..
One of the most common techniques is “Sommerso”, which in Italian literally means “submerged”. This technique is used to create several layers of glass (usually with different contrasting colors) inside a single object, giving the illusion of “immersed” colors that lay on top of each other without mixing. This is done by uniting different layers of glass through heat and repeatedly immersing them in pots of molten colored glass. This technique is quite recognizable: it is characterized by an outer layer of colorless glass and thick layers of colored glass inside it, as if a big drop of color had been captured inside the transparent glass. When one first sees these objects, it seems almost impossible to conceive such beautiful colors being locked so perfectly inside what would seem solid glass, and then undoubtedly one begins to wonder how ever did they manage to achieve such a complex game of shapes and colors right in the middle of a clear glass object.