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A telephone, or phone, is a telecommunications device that permits two or more users to conduct a conversation when they are too far apart to be heard directly. A telephone converts sound, typically and most efficiently the human voice, into electronic signals suitable for transmission via cables or other transmission media over long distances, and replays such signals simultaneously in audible form to its user.
In 1876, Scottish emigrant Alexander Graham Bell was the first to be granted a United States patent for a device that produced clearly intelligible replication of the human voice. This instrument was further developed by many others. The telephone was the first device in history that enabled people to talk directly with each other across large distances. Telephones rapidly became indispensable to businesses, government, and households, and are today some of the most widely used small appliances.
The essential elements of a telephone are a microphone (transmitter) to speak into and an earphone (receiver) which reproduces the voice in a distant location. In addition, most telephones contain a ringer which produces a sound to announce an incoming telephone call, and a dial or keypad used to enter a telephone number when initiating a call to another telephone. Until approximately the 1970s most telephones used a rotary dial, which was superseded by the modern DTMF push-button dial, first introduced to the public by AT&T in 1963. The receiver and transmitter are usually built into a handset which is held up to the ear and mouth during conversation. The dial may be located either on the handset, or on a base unit to which the handset is connected. The transmitter converts the sound waves to electrical signals which are sent through the telephone network to the receiving phone. The receiving telephone converts the signals into audible sound in the receiver, or sometimes a loudspeaker. Telephones permit duplex communication, meaning they allow the people on both ends to talk simultaneously.
The first telephones were directly connected to each other from one customer’s office or residence to another customer’s location. Being impractical beyond just a few customers, these systems were quickly replaced by manually operated centrally located switchboards. This gave rise to landline telephone service in which each telephone is connected by a pair of dedicated wires to a local central office switching system, which developed into fully automated systems starting in the early 1900s. For greater mobility, various radio systems were developed for transmission between mobile stations on ships and automobiles in the middle 20th century. Hand-held mobile phone]s was introduced for personal service starting in 1973. By the late 1970s several mobile telephone networks operated around the world. In 1983, the Advanced Mobile Phone System (AMPS) was launched, offering a standardized technology providing portability for users far beyond the personal residence or office. These analog cellular system evolved into digital networks with better security, greater capacity, better regional coverage, and lower cost. The public switched telephone network, with its hierarchical system of many switching centers, interconnects telephones around the world for communication with each other. With the standardized international numbering system, E.164, each telephone line has an identifying telephone number, that may be called from any authorized telephone on the network.
Although originally designed for simple voice communications, convergence has enabled most modern cell phones to have many additional capabilities. They may be able to record spoken messages, send and receive text messages, take and display photographs or video, play music or games, surf the Internet, do road navigation or immerse the user in virtual reality. Since 1999, the trend for mobile phones is smartphones that integrate all mobile communication and computing needs.
Exquisite Bubbles orchid vase (soliflore, or one flower vase) designed by Per Lütken and made at Holmegaard in 1951. Resembling a flower bulb, the base is executed in the controlled bubbles technique. This slim, minimalist and elegant vase quickly became an icon of Danish Mid-Century glass design. The model was later reproduced by other factories in Scandinavia, especially by the Swedes from Kosta and from Åseda.
Beautiful Akva ashtray for two designed by Per Lütken for Holmegaard. This model is part of the Akva series, which was a huge success and remained in production for more than two decades between 1953 and 1974. A rare piece made from hand-blown glass. The Akva series includes items sold under different trade marks and line names: Askebaeger, Dukling, Fiona, Hellas, Lysestage, Menuet, Rondo, Selandia, Thule, Umanak, Surf etc.
Beautiful controlled bubbles (bullicante) Murano ashtray made of glass. Hand blown, this piece displays a nice chromatic effect and goes from dark green (to the rim) to clear white (at the bottom).
The quality and tradition that characterize Murano’s finest glass furnaces have always been worthy of the highest appreciation. This prestige is due mostly to the glass masters’ hard work and dedication, which are the very core of Murano’s most famous trade. Glassmaking has been passed on from one generation to the next one, with constant innovations and timeless originality. The loyalty and respect with which this trade is treated is possibly the key to Murano’s success. Glass masters all over the island have always worked with endless vitality, and this creative vein is evident in every glass artwork that comes out of any furnace, with improved techniques and bewildering effects.
The “bullicante” effect is amongst the most famous glass making techniques and it is seen quite often around the island of Murano. If you’ve had the fortune of strolling along the streets of Venice, you would have noticed beautiful glass pieces with small air bubbles trapped in the inside, possibly stopping to wonder how that seemingly impossible effect is achieved. This peculiar effect is obtained by placing a piece of molten glass inside a metallic mold with spikes, very much resembling a pineapple’s texture. These spikes cause small holes on the surface creating a pattern all around the glass piece. After it’s been left to cool down for a few moments, the whole piece is submerged in molten glass again. This second layer completely covers the first one. However, thanks to the thick consistency of glass, the holes previously impressed on the first layer are not covered, thus causing air to be trapped between both layers of glass. This process can be repeated several times, creating a pattern as complicated as the glass master wishes. This technique gives not only a sense of depth to the whole object, but also an incomparable decorative effect, famous for its originality.