Ventill Electric Fan made of hard plastic/Bakelite, in Hungary, in 1978. The aerodynamic shape is specific for the design of the Space Age Era. The piece is in very good vintage condition and in full working order.
The Space Age is a time period encompassing the activities related to the Space Race, space exploration, space technology, and the cultural developments influenced by these events. The Space Age is generally considered to have begun with Sputnik (1957). During the 1950s, architecture, furniture, interior design, cars, and gadget design took on a curiously spaceflight-inspired aesthetic.
If your delivery address is not in the European Union, Iceland, Liechtenstein, Norway, or Switzerland, please be advised that import duty is not included in the prices you see online
A hand bag, also purse or pouch in North American English, is a handled medium-to-large bag that is often fashionably designed, often used by women, to hold personal items.
The term “purse” originally referred to a small bag for holding coins. In British English, it is still used to refer to a small coin bag. A “handbag” is a larger accessory that holds objects beyond currency, such as personal items. American English typically uses the terms purse and handbag interchangeably. The term handbag began appearing in the early 1900s. Initially, it was most often used to refer to men’s hand-luggage. Women’s bags grew larger and more complex during this period, and the term was attached to the accessory. Handbags are valued for their stylishness as visual accessories as well as for their function.
The verb “to handbag” derives from UK prime minister Margaret Thatcher’s habit of pulling scraps of paper out of her handbag in meetings and reading aloud the comments she had written on them. The verb’s more general meaning of “treating ruthlessly” came to symbolise Thatcher’s whole style of government. Julian Critchley, one of her biggest Tory backbench critics, once said, “Margaret Thatcher and her handbag is the same as Winston Churchill and his cigar.”
Early modern Europeans wore purses for one sole purpose: to carry coins. Purses were made of soft fabric or leather and were worn by men as often as ladies; the Scottish sporran is a survival of this custom. In the 17th century, young girls were taught embroidery as a necessary skill for marriage; this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape for these accessories, inspired by the silhouettes of Ancient Greece and Rome. Women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, carried with wrist straps. First becoming popular in France, they crossed over into Britain, where they became known as “indispensables.” Men, however, did not adopt the trend. They used purses and pockets, which became popular in men’s trousers.
The modern purse, clutch, pouch or handbag came about in England during the Industrial Revolution, in part due to the increase in travel by railway. In 1841 the Doncaster industrialist and confectionery entrepreneur Samuel Parkinson (of butterscotch fame) ordered a set of travelling cases and trunks and insisted on a travelling case or bag for his wife’s particulars after noticing that her purse was too small and made from material that would not withstand the journey. He stipulated that he wanted various handbags for his wife, varying in size for different occasions and asked that they be made from the same leather that was being used for his cases and trunks to distinguish them from the then-familiar carpetbag and other travelers’ cloth bags used by members of the popular classes. H. J. Cave (London) obliged and produced the first modern set of luxury handbags, as we would recognize them today, including a clutch and a tote (named as ‘ladies travelling case’). These are now on display in the Museum of Bags and Purses in Amsterdam. H. J. Cave did continue to sell and advertise the handbags, but many critics said that women did not need them and that bags of such size and heavy material would ‘break the backs of ladies.’ H. J. Cave ceased to promote the bags after 1865, concentrating on trunks instead, although they continued to make the odd handbag for royalty, celebrities or to celebrate special occasions, the Queen’s 2012 Diamond Jubilee being the most recent. However, H.J. Cave resumed handbag production in 2010
Spectacular vase from the famous Næbvase (Duckling or Beak vase) series, signed by Per Lütken and produced at Holmegaard. A very exquisite piece, which was appreciated since the beginning for its supple, organic and soft shape. Signed, identified and dated on the bottom, “Holmegaard 19PL55” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year). The Næbvase (Duckling or Beak vase) series was in production between 1952 and 1974.
Spectacular and very rare Luxor Swiss table clock made in the 1940s. This golden clock is an exponent of Art Deco aesthetics: supple and elegant lines, geometric shape, some decorative elements (the twisted little bar at the top). This is a 8 days mechanical clock with alarm (it has to be manually winded once a week to operate). It is in very good condition with only small age-related traces. Luxor clocks are highly prized by collectors around the world, both for their mechanism and aspect.
Beautiful Akva ashtray for two designed by Per Lütken for Holmegaard. This model is part of the Akva series, which was a huge success and remained in production for more than two decades between 1953 and 1974. A rare piece made from hand-blown glass. The Akva series includes items sold under different trade marks and line names: Askebaeger, Dukling, Fiona, Hellas, Lysestage, Menuet, Rondo, Selandia, Thule, Umanak, Surf etc.