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Beautiful smoky ashtray by Per Lütken
Beautiful smoky ashtray by Per Lütken
Beautiful smoky ashtray by Per Lütken
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Beautiful smoky ashtray designed by Per Lütken for Holmegaard (although it can also be used as a bowl for peanuts or candies). Signed, identified and dated on the bottom, “Holmegaard 19PL57” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year).
Aqua bowl designed by Per Lütken for Holmegaard. This model is part of the Akva series, which was a huge success and remained in production for more than two decades between 1953 and 1974. Signed and identified on the bottom, “HOLMEGAARD PL”. Also on bottom has the production number, 15737. Has a small chip on the rim and some age-related marks. However, all in all it is in a good vintage condition. A rare piece made from hand-blown crystal (just a small part of this series was made from crystal and not from glass). The Akva series includes items sold under different trade marks and line names: Askebaeger, Dukling, Fiona, Hellas, Lysestage, Menuet, Rondo, Selandia, Thule, Umanak, Surf etc.
Aqua Askebæger designed by Per Lütken for Holmegaard. This model is part of the Akva series, which was a huge success and remained in production for more than two decades between 1953 and 1974. Signed, identified and dated on the bottom, “Holmegaard 19PL56” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year). Has a small chip on the rim and some age-related marks. However, all in all it is in a good vintage condition. A rare piece made from hand-blown glass. The Akva series includes items sold under different trade marks and line names: Askebaeger, Dukling, Fiona, Hellas, Lysestage, Menuet, Rondo, Selandia, Thule, Umanak, Surf etc.
Lot of 2 table clocks (Junhans, Jerger) made in Germany in the 1960s. Both clocks features the International Style lines and shapes and are characterized by a clean, functional, minimalist design. Both are in full working order. Each of them need to be manually winded once a day to operate.
Jerger: The company was founded by the clockmaker Wilhelm Jerger (1845–1921) in 1866 and was active for 34 years before merging with the Uhrenfabrik Villingen. Jerger Clock’s history is especially interesting today because around 1900 there was a dispute in the German horolitas about which firm, Jerger or Junghans, had first made Amerikanerwerke (American type movements). Jerger proved the first, and the Grand Duke of Baden awarded Jerger the Zähringer Löwenorden (The Order of the Lion) for his services to Baden.
Junhans: Junghans Uhren GmbH is a German watch and clock manufacturer. The company was founded in 1861 and is located in Schramberg, Baden-Württemberg. By 1903, Junghans had the largest watch and clock factory with over 3000 employees. Beginning in the 1950s, the Bauhaus designer Max Bill created clocks and watches for Junghans and the relationship lasted many years. A remarkable example of his work is a wall clock he designed in 1956/57 that is in the collection of The Museum of Modern Art (New York). In 1962 Bill also created mechanical wristwatches for Junghans – impressive timepieces, not only for their aesthetic design, but also their precision. In the late 1980s, Junghans introduced the first radio-controlled table clock on the world market. In 1990 the first radio-controlled wristwatch, called the MEGA 1, followed. In 1995 Junghans presented a solar powered watch with ceramic housing. Together with the Japanese clock maker Seiko, Junghans developed a globally oriented wristwatch that automatically sets the local time in respective time zones.
Spectacular Murano sommerso vase for one flower (soliflore) in shades of red (the interior layer), yellow (the median layer) and blue (the outer layer). Because of its shape, this type of vase is also known as “Teardrop”. The piece is made in the 1960s and is kept in very good condition, showing no visible deterioration. It has its original label.
When thinking of Murano glass, it is highly unlikely that we think of sand, yet this rare material is at the base of all glass production. Glass is firstly a mix of siliceous sand, soda, lime and potassium, which is put to melt inside an oven at a temperature of around 1.500 Celsius. After it has become flexible enough, it is removed with a pipe that will be used to blow the glass out while the glassmaker shapes and models it. The forms and colors given to each piece depend on the tools and chemicals used during its production. The techniques are also important..
One of the most common techniques is “Sommerso”, which in Italian literally means “submerged”. This technique is used to create several layers of glass (usually with different contrasting colors) inside a single object, giving the illusion of “immersed” colors that lay on top of each other without mixing. This is done by uniting different layers of glass through heat and repeatedly immersing them in pots of molten colored glass. This technique is quite recognizable: it is characterized by an outer layer of colorless glass and thick layers of colored glass inside it, as if a big drop of color had been captured inside the transparent glass. When one first sees these objects, it seems almost impossible to conceive such beautiful colors being locked so perfectly inside what would seem solid glass, and then undoubtedly one begins to wonder how ever did they manage to achieve such a complex game of shapes and colors right in the middle of a clear glass object.
Beautiful controlled bubbles (bullicante) Murano ashtray made of glass. Hand blown, this piece displays a nice chromatic effect and goes from dark green (to the rim) to clear white (at the bottom).
The quality and tradition that characterize Murano’s finest glass furnaces have always been worthy of the highest appreciation. This prestige is due mostly to the glass masters’ hard work and dedication, which are the very core of Murano’s most famous trade. Glassmaking has been passed on from one generation to the next one, with constant innovations and timeless originality. The loyalty and respect with which this trade is treated is possibly the key to Murano’s success. Glass masters all over the island have always worked with endless vitality, and this creative vein is evident in every glass artwork that comes out of any furnace, with improved techniques and bewildering effects.
The “bullicante” effect is amongst the most famous glass making techniques and it is seen quite often around the island of Murano. If you’ve had the fortune of strolling along the streets of Venice, you would have noticed beautiful glass pieces with small air bubbles trapped in the inside, possibly stopping to wonder how that seemingly impossible effect is achieved. This peculiar effect is obtained by placing a piece of molten glass inside a metallic mold with spikes, very much resembling a pineapple’s texture. These spikes cause small holes on the surface creating a pattern all around the glass piece. After it’s been left to cool down for a few moments, the whole piece is submerged in molten glass again. This second layer completely covers the first one. However, thanks to the thick consistency of glass, the holes previously impressed on the first layer are not covered, thus causing air to be trapped between both layers of glass. This process can be repeated several times, creating a pattern as complicated as the glass master wishes. This technique gives not only a sense of depth to the whole object, but also an incomparable decorative effect, famous for its originality.
Beautiful and elegant fruit bowl designed by Tapio Wirkkala and made by Iittala in the 1970s.
Tapio Veli Ilmari Wirkkala (2 June 1915, Hanko – 19 May 1985) was a Finnish designer and sculptor, a major figure of post-war design. His work ranges from plastic ketchup bottles and metalware to glass, ceramics and plywood in a range of styles. He designed the Finnish markka banknotes introduced in 1955. His range was immense, designing glassware, stoneware, jewelry, and furniture for mass production, as well as individual sculptures in several media. Among his most famous works have been the design for the Finlandia vodka bottle (1970-2000) and for Iittala’s Ultima Thule set of kitchen glasses. Both glassware items feature a dripping icicle look, and in the case of Iittala’s popular glassware it is said to have taken thousands of hours to develop a glassblowing technique that would produce the effect. Wirkkala did much of his initial design work using a traditional Finnish carving knife, the puukko. Wirkkala designed his own version of the knife. The Tapio Wirkkala Puukko was built by Hackman Cutlery and marketed by Brookstone in the US in the early-1970s.
Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware. Iittala’s official i-logo was designed by Timo Sarpaneva in 1956. Iittala has strong design roots in glasswares and art glass which can be seen in, for example, the early designs of Aino Aalto glasses designed by Aino Aalto in 1932; Alvar Aalto’s Savoy Vase (Aalto Vase) from 1936; Oiva Toikka’s Birds by Toikka glass birds collection that has been made since 1962, his glassware set Kastehelmi from 1964 and Tapio Wirkkala’s glasses Ultima Thule from 1968. Iittala is the world’s most famous glass company in the whole world. Over time, Iittala has expanded from glass to other materials, such as ceramics and metal while keeping with their key philosophy of progressive elegant and timeless design, such as Kaj Franck’s Teema ceramic tableware from 1952 and Timo Sarpaneva’s cast iron pot Sarpaneva from 1960. Iittala focuses on timeless design which can be seen not only in older creations but in the modern classics such as cookware Tools designed by Björn Dahlström in 1998 and Heikki Orvola’s Kivi candleholders from 1988.