Please select a page for the Contact Slideout in Theme Options > Header Options
Beautiful Akva Surf ashtray by Per Lütken
Beautiful Akva Surf ashtray by Per Lütken
Beautiful Akva Surf ashtray by Per Lütken
NEW! Buy this item and earn 2 Fidelity Point(s) for a discount on a future purchase. (1 Fidelity Point = 1 Euro).
Beautiful Akva surf ashtray designed by Per Lütken for Holmegaard (although it can also be used as a bowl for peanuts or candies). This model is part of the Akva series, which was a huge success and remained in production for more than two decades between 1953 and 1974. Signed, identified and dated on the bottom, “Holmegaard 19PL53” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year). A rare piece made from hand-blown glass. The Akva series includes items sold under different trade marks and line names: Askebaeger, Dukling, Fiona, Hellas, Lysestage, Menuet, Rondo, Selandia, Thule, Umanak, Surf etc. Being dated 1953 this vase was produced in the inaugural year of this series.
Aqua bowl designed by Per Lütken for Holmegaard. This model is part of the Akva series, which was a huge success and remained in production for more than two decades between 1953 and 1974. Signed and identified on the bottom, “HOLMEGAARD PL”. Also on bottom has the production number, 15737. Has a small chip on the rim and some age-related marks. However, all in all it is in a good vintage condition. A rare piece made from hand-blown crystal (just a small part of this series was made from crystal and not from glass). The Akva series includes items sold under different trade marks and line names: Askebaeger, Dukling, Fiona, Hellas, Lysestage, Menuet, Rondo, Selandia, Thule, Umanak, Surf etc.
Aqua Askebæger designed by Per Lütken for Holmegaard. This model is part of the Akva series, which was a huge success and remained in production for more than two decades between 1953 and 1974. Signed, identified and dated on the bottom, “Holmegaard 19PL56” (Per Lütken signed almost always monogrammed with initials falling between the 4 digits of the year). Has a small chip on the rim and some age-related marks. However, all in all it is in a good vintage condition. A rare piece made from hand-blown glass. The Akva series includes items sold under different trade marks and line names: Askebaeger, Dukling, Fiona, Hellas, Lysestage, Menuet, Rondo, Selandia, Thule, Umanak, Surf etc.
Spectacular crystal ashtray signed by Daum Nancy and made in France, in the 1960s. The translucent emerald color and the flower-shaped line give this piece a refined, elegant and discreet look. It’s signed on the bottom “Daun Nancy” – Cross of Lorraine – “France”, in the typical manner of this famous manufacturer. Also retains the label of the first crystal shop that sold it: “Cristallerie Moser-Millot Paris 30 Bd. Des Italiens”. Is in a very good condition, with minimal age related signs.
Daum Nancy rose to prominence during the Art Nouveau and Art Deco period, and captured the imagination of collectors all over the world. Let us take a quick look at the interesting events that shaped the company. Jean Daum was a notary from Bitche who had lent some money to the proprietors of a glass factory in Nancy, the capital town of the French region of Lorraine. The glassworks was then named “Verrerie Sainte Catherine”. In 1878, Daum took over the factory when its erstwhile owners were unable to pay off their debt and renamed it “Verrerie de Nancy”. The factory initially produced glassware such as drinking glasses and pitchers and then ventured into artistic glass manufacturing in 1891. After Daum’s death in 1885, his son Auguste Daum took over the control of the company in the year 1890. The Daum brothers exhibited their “Handsome Tavern Glass” at the Paris International Exhibition in 1889. This event was of utmost significance because it marked the birth of the French Art Nouveau movement. Daum received his first “Grand Prix” in 1900 because by then his factory had established its name as a producer of high quality glass. By 1903, Daum had started making vitrified vases. These vases are singularly responsible for the kind of fame the company acquired in the early 1900s. In 1906 Daum began the manufacture of pâte-de-verre, a glass-making technique first used over five thousand years ago in the early world.
In order to understand the collector’s interest in Daum Nancy objects, one must realize that this company has shaped itself up to become a producer of glass art objects and not simple glassworks. It pioneered and revolutionized old techniques by working with colour powders, acids, enamel and fluorine hydrogen. From the early 1900s emphasis was placed upon ornamental motifs in naturalistic forms. When Galle died in 1904, the Daum brothers became the leaders in the field of decorative glass and their dominance lasted for one productive, golden decade.
Beautiful Murano sommerso vase in green and purple. The piece is made in the 1950s and is kept in very good condition, showing no visible deterioration. It has the original label.
When thinking of Murano glass, it is highly unlikely that we think of sand, yet this rare material is at the base of all glass production. Glass is firstly a mix of siliceous sand, soda, lime and potassium, which is put to melt inside an oven at a temperature of around 1.500 Celsius. After it has become flexible enough, it is removed with a pipe that will be used to blow the glass out while the glassmaker shapes and models it. The forms and colors given to each piece depend on the tools and chemicals used during its production. The techniques are also important..
One of the most common techniques is “Sommerso”, which in Italian literally means “submerged”. This technique is used to create several layers of glass (usually with different contrasting colors) inside a single object, giving the illusion of “immersed” colors that lay on top of each other without mixing. This is done by uniting different layers of glass through heat and repeatedly immersing them in pots of molten colored glass. This technique is quite recognizable: it is characterized by an outer layer of colorless glass and thick layers of colored glass inside it, as if a big drop of color had been captured inside the transparent glass. When one first sees these objects, it seems almost impossible to conceive such beautiful colors being locked so perfectly inside what would seem solid glass, and then undoubtedly one begins to wonder how ever did they manage to achieve such a complex game of shapes and colors right in the middle of a clear glass object.
Lot of 2 table clocks (Junhans, Jerger) made in Germany in the 1960s. Both clocks features the International Style lines and shapes and are characterized by a clean, functional, minimalist design. Both are in full working order. Each of them need to be manually winded once a day to operate.
Jerger: The company was founded by the clockmaker Wilhelm Jerger (1845–1921) in 1866 and was active for 34 years before merging with the Uhrenfabrik Villingen. Jerger Clock’s history is especially interesting today because around 1900 there was a dispute in the German horolitas about which firm, Jerger or Junghans, had first made Amerikanerwerke (American type movements). Jerger proved the first, and the Grand Duke of Baden awarded Jerger the Zähringer Löwenorden (The Order of the Lion) for his services to Baden.
Junhans: Junghans Uhren GmbH is a German watch and clock manufacturer. The company was founded in 1861 and is located in Schramberg, Baden-Württemberg. By 1903, Junghans had the largest watch and clock factory with over 3000 employees. Beginning in the 1950s, the Bauhaus designer Max Bill created clocks and watches for Junghans and the relationship lasted many years. A remarkable example of his work is a wall clock he designed in 1956/57 that is in the collection of The Museum of Modern Art (New York). In 1962 Bill also created mechanical wristwatches for Junghans – impressive timepieces, not only for their aesthetic design, but also their precision. In the late 1980s, Junghans introduced the first radio-controlled table clock on the world market. In 1990 the first radio-controlled wristwatch, called the MEGA 1, followed. In 1995 Junghans presented a solar powered watch with ceramic housing. Together with the Japanese clock maker Seiko, Junghans developed a globally oriented wristwatch that automatically sets the local time in respective time zones.
Spectacular and very rare Luxor Swiss table clock made in the 1940s. This golden clock is an exponent of Art Deco aesthetics: supple and elegant lines, geometric shape, some decorative elements (the twisted little bar at the top). This is a 8 days mechanical clock with alarm (it has to be manually winded once a week to operate). It is in very good condition with only small age-related traces. Luxor clocks are highly prized by collectors around the world, both for their mechanism and aspect.