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  • Set of 9 candlesticks by Fritz Nagel & Ceasar Stoffi for BMF


    Set of 9 candlesticks (model S 22) made of chrome plated steel and produced by BMF (Bayerische Metall Fabrik). This stackable candelsticks were designed by Fritz Nagel and Ceasar Stoffi in the 1960 and are considered icons of the Space Age / Atomic Age design. The Model 22 was in production from 1965 to 1970. The pieces are in very good condition, with no deterioration and only little traces of use.

  • Sale
    Spectacular coffee table made of marble and stainless steel

    Spectacular coffee table made of marble and stainless steel

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    Spectacular coffee table made in Germany, in the 1970s. The top of the table – made of  Green Alps marble – has a quite impressive diameter (98 cm) and is in perfect shape. It’s exquisite color (green with black swirls and veins) is placed in a remarkable dialogue with the coldness and the sobriety of the structure, made of well-polished stainless steel. The legs of the table, resembling the fins of a space-rocket, are consistent with Atomic/Space Age design shapes and lines This is special, stylish, well preserved piece of furniture that can accommodate any contemporary interior, be it minimalist, modern or industrial.

    The Space Age is a time period encompassing the activities related to the Space Race, space exploration, space technology, and the cultural developments influenced by these events. The Space Age is generally considered to have begun with Sputnik (1957). During the 1950s, architecture, furniture, interior design, cars, and gadget design took on a curiously spaceflight-inspired aesthetic.

    1.500  600 
  • Sale
    Set of 4 Wiesner-Hager chairs, Austria, 1970s
    Set of 4 Wiesner Hager chairs, Austria, 1970s

    Set of 4 Wiesner-Hager chairs made in Austria in the 1970s

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    Very well preserved set of 4 Wiesner Hager chairs made in Austria in the 1970s. Plywood with cherry wood veneer and a tubular steel cantileverd structure. They have the original fabric upholstery. The chairs have an ergonomic shape, featuring organic, curved lines, but an overall industrial design look, being that kind of furniture items that are as much about function as style.

    Wiesner-Hager was founded by Josef Wiesner as a carpentry business in 1849. In the year 1921 Rudolf Wiesner and Sebastian Hager took over their father’s business, which was at that time purely a carpentry and construction company. With the restructuring of part of the construction business into a furniture manufacture the two lay the cornerstone for a second branch of the business. Now, due to major changes in the working world and the enormous upheavals in the office and properties branch, the furniture offering has been expanded since the noughties to include the services of office consulting and interior design: Concept orientation has become a key success factor. With an export quota of 50% Wiesner-Hager is currently one of the most renowned companies in the furniture branch in Europe.

    400  320 
  • Sale
    Norwegian Modern coffee table
    Norwegian Modern coffee table

    Norwegian Modern coffee table

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    Coffee table made in Norway, late 60s. The counter-top is made of veneered wood; the legs are made of stainless steel with hard plastic clogs. The counter-top edges are cut inwards giving this piece a light non-intrusive look. The legs are not plain, but made of three thin rods. The minimalist shape, the dialogue between wood and stainless steel, the curved edges, the line of the counter-top, all of this make this table a leading exponent of Scandinavian Modern style. The piece is in good vintage condition (see photos).

    500  400 
  • Sold out
    Set of 4 "MR" armchairs by Ludwig Mies van der Rohe
    Set of 4 "MR" armchairs by Ludwig Mies van der Rohe

    Set of 4 “MR” armchairs by Ludwig Mies van der Rohe

    Set of 4 “MR” armchairs by Ludwig Mies van der Rohe. The armchairs are made of tubular steel and black natural leather and are preserved in a very good shape.

    The architect and designer Ludwig Mies van der Rohe is one of the best-known exponents of International Style modernism. His “less-is-more” philosophy has become a catchphrase for much twentieth-century design, though a preference for luxurious and costly materials often underscores the deceptive simplicity of his elegant and refined designs.

    Mies van der Rohe was the last director of the Bauhaus design school in Dessau, from 1930 until its closing in 1932. In 1938 he left Germany for America, where he headed the architecture department at the Illinois Institute of Technology.

    The graceful, elegant, and beautifully proportioned “MR” armchair, developed from a 1924 design for a cantilevered chair by Mart Stam, was introduced by Mies van der Rohe at the 1927 Stuttgart exhibition and has remained in production ever since. The chair’s cantilevered design uses tubular steel, then a technological novelty, to create an intuitively accessible and ergonomic seat. (When asked why he created chairs with generously sized seats, Mies van der Rohe allegedly replied that he designs chairs he’d be most comfortable sitting in.) The MR Armchair is perfectly balanced, featuring the material innovation and lack of ornamentation that epitomize the International Style. It was awarded the Museum of Modern Art Award in 1977 and the Design Center Stuttgart Award in 1978.

    In 1968 the Knoll group took the license to manufacture these chairs but both before 1968 and afterwards many factories have in fact produced these iconic pieces.

    1.000  790 

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